From Library Journal
This is a lovingly researched and thoughtfully created portrait of Fayard and Harold Nicholas, whose spectacular dance routines have captivated stage and screen audiences from the Depression era to current times. Hill's infectious admiration will inspire even those not well acquainted with the pair to locate Down Argentine Way or Sun Valley Serenade and enjoy their performances. In his introduction, Gregory Hines praises the one-of-a-kind routines the brothers developed, which included intricate steps, breathtaking splits, and impeccable timing. Their style was outstanding, but so was their highly professional approach to the mercurial world of show business, with its particularly disturbing racial issues. Exceptionally clear and useful descriptions of the elements of early jazz, the evolution of the minstrel show, and the components of various dance forms provide background on the forces influencing the performance world of the time. A natural for dance enthusiasts, this is also essential reading for anyone interested in entertainment history.
-Carol J. Binkowski, Bloomfield, NJ Copyright 2000 Reed Business Information, Inc.
From Booklist
Hill takes the high road in presenting the work more than the lives of Fayard and Harold Nicholas, whose graceful and athletic dancing continues to astound viewers of the otherwise often humdrum movie musicals in which they appeared. Hill furnishes just enough about the brothers' theater-musician parents, Fayard's precocious choreographical mind and Harold's aptitude for speed-learning movement, black dancers in vaudeville, and vaudeville's transition to stage and film to prepare readers for her analysis and appreciation of the Nicholases' art. She doesn't trade in gossip, instead giving move-by-move breakdowns of the brothers' classic numbers and discussing what films of them rehearsing at home and performing in theaters and New York's legendary Cotton Club also reveal. Stressing the joyousness of their work, she imparts just how they achieved it, which makes the book an ideal companion for dance and film buffs intent on inspecting the Nicholases' sometimes impossible-seeming foot-and bodywork--their death-or-grievous-injury-defying splits, for instance. Invaluable dance-term glossary included.
Ray Olson
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