Ancient Greek Music (Clarendon Paperbacks) (Paperback)

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Editorial Reviews

Review

"It is hard to overestimate the value of this first book to present Greek music accessibly to both classicists and to musicologists whose speciality is not in this period....Should become a model for the kind of scholarly writing that illuminates rather than obfuscates and teaches rather than confounds. Both general and academic readers at all levels."--Choice
"There are few if any kinds of music or musical aspects of the ancient Greek world that West does not at least touch upon....West has been able to provide detailed commentary on several topics....Martin West has given us a useful, comprehensive treatment of the subject."--Notes
"An enlightening study which will be of interest both to students of medical history and of social anthropology in its ancient Greek context."--The Greek Gazette
"It's no exaggeration to say that Martin West's Ancient Greek Music is a book we have been desiring for centuries: a clear, complete, unprejudiced, thorough, rigorous and deep account of the evidence for the basic realities of ancient music."--ARION

Product Description

Ancient Greece was permeated by music, and the literature teems with musical allusions. Here at last is a clear, comprehensive, and authoritative account that presupposes no special knowledge of music. Topics covered include the place of music in Greek life, instruments, rhythm, tempo, modes and scales, melodic construction, form, ancient theory and notation, and historical development. Thirty surviving examples of Greek music are presented in modern transcription with analysis, and the book is fully illustrated. Besides being considered on its own terms, Greek music is here further illuminated by being considered in ethnological perspective, and a brief Epilogue sets it in its place in a border zone between Afro-Asiatic and European culture. The book will be of value both to classicists and historians of music.

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Product Details

• Paperback: 440 pages
• Publisher: Oxford University Press, USA (April 14, 1994)
• Language: English
• ISBN-10: 0198149751
• ISBN-13: 978-0198149750
• Product Dimensions: 8.2 x 5.3 x 1.1 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon.com Sales Rank: #940,827 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars An introduction both friendly and vast, December 1, 2007

By	Christopher Culver - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Considering that classical literature tells us that music was part of every facet of Greek society, from religious ritual to dramatic productions, athletic events to epic storytelling, it is odd that there was no substantial introduction to Ancient Greek music until M.L. West released this monograph in 1992. But we are fortunate to live in a time when ANCIENT GREEK MUSIC is available, as it is an introduction both vast and friendly, and it uses the recent advances in ethnomusicology to more accurately reconstruct Greek music and compare it to other indigenous musical traditions around the world.

If you have little experience with theory, though, don't be afraid. West's discussion of the melodic and rhythmic nuts and bolts of Ancient Greek music assumes no prior training beyond knowing vaguely what an octave is. Indeed, for someone without knowledge of theory this wouldn't be a bad place to start. The Greeks described very well the basis of physical sound on which they built their music.

I see the book as divided into four main parts. In the first, West discusses the role of music in Greek life, namely listing what genres were associating with what social or cultic functions. He then describes the instruments that the Greeks used, including their development and expansion, and their equivalents in nearby regions. While I was most interested in more abstract portions of the book, even this proved informative. I had never known before, for example, that brass instruments were never used to play music, but only to provide fanfares or direct troops on the battlefield.

The second part of the book is the theory behind Greek music, consisting of the chapters "Rhythm and Tempo", "Scales and Modes", "Melody and Form", and "Theory". I thought it fascinating to read how the rhythm of Greek music corresponded to the longs and shorts of Greek poetry, and how Greek scales developed from the pentatonic scale still used in e.g. China and the Volga-Kama basin.

The third part of the book deals with the surviving records of Greek music. West explains notation schemes and what papyruses and inscriptions have survived, and then gives us fifty pages of transcriptions. Of course, these are all fragmentary, but plenty have enough material to keep one entertained.

While for the most part West treats all eras of Greek music together, it is obvious that the no musical tradition would stay static for a thousand years. Accordingly, the final part of the book is a historical synthesis tracking the development of Greek music from the archaic period to the earliest surviving Christian hymn.

I'd strongly suggest this book to a number of audiences, from classicists, to ethnomusicologists or laymen interested in indigenous musical traditions, to (again) people who want to learn music theory from the ground up. Too bad OUP has priced even the paperback beyond what the average reader would be prepared to spend, though.