Review
`Hurley's achivement is constantly to consider what musical reason Handel might have for doing something; he is never content to shrug his shoulders and say 'who knows?'. In doing so he covers a lot of ground, throws up a lot of ideas, and questions some of the suggestions made by those who have written on the subject before. At the same time his scholarship is meticulous and well-read,' Early Music Today, August 1 2001
`an impressive insight into Handel's working methods.' Clifford Bartlett, Early Music Review, No. 70, May 2001
Product Description
This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music.
See all Editorial Reviews