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Editorial Reviews
Amazon.com
This comprehensive guide is as wonderfully thorough and cross-referenced as we've come to expect from the Oxford Companions, and it deserves a place on the bookshelf of any lover of children's literature or films. Arranged alphabetically, The Oxford Companion to Fairy Tales covers authors, illustrators, individual titles, and countries of origin for the fairy tales of Europe, from medieval times through the era of Walt Disney. Each entry is handily marked with asterisks when there's a related section to read; "The Little Mermaid" has asterisks highlighting both Hans Christian Anderson and Disney, while the larger section of Victorian Fairy Painting has 19 asterisks in its three pages of text. While authors and stories generally don't get more than a few paragraphs of detail, you'll find the quantity of entries most impressive. Beyond standard fairy tales, authors of classic children's literature and adult fantasy are often included, if their works rely in any way on earlier myths or tales--Terry Pratchett and Maurice Sendak are two examples. Larger sections devoted to regional differences are lengthy and fascinating, and they include Portugal, Spain, France, North America, Britain, and Italy. The book also has plenty of illustrations. While they're all in black and white, the variety of artistic styles is wonderful, and each plate is large enough to show charming details of giants, maidens, witches, and all the classic characters of these beloved stories. Whether your heart lies with Edward Gorey or Kate Greenaway, you're sure to enjoy the facts behind your favorite tale. --Jill Lightner --This text refers to an out of print or unavailable edition of this title.
From Library Journal
The M?rchen, or fairy tale, is widely defined as a fictitious narrative with a human main character; it includes fantasy and is told as a means of instruction and/or entertainment. Born out of oral tradition, the tales contain many thought-provoking layers, including ancient incredulities, archetypical fears, contemporary folk beliefs, exquisite superstition, heartfelt wishes, and social commentary. This well-documented volume contains 800 signed entries authored by 67 authorities from around the world. No actual tales are included; instead, this reference is an illuminating collection of brief essays on classic tales, both modern and ancient. In alphabetical order, the companion profiles noted authors, illustrators, filmmakers, choreographers, and composers; more broadly, it covers film, art, opera, ballet, music, and commercial use. Zipes, a major authority on the subject, lets readers explore the development of the fairy-tale tradition in various countries, paying special attention to European and American writings. Attractive, well written, and approachable, this solid guide to the fairy-tale world is without equal. Recommended for all public and academic libraries.
-Richard K. Burns, MSLS, Hatboro, PA
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
This comprehensive guide is as wonderfully thorough and cross-referenced as we've come to expect from the Oxford Companions, and it deserves a place on the bookshelf of any lover of children's literature or films. Arranged alphabetically, The Oxford Companion to Fairy Tales covers authors, illustrators, individual titles, and countries of origin for the fairy tales of Europe, from medieval times through the era of Walt Disney. Each entry is handily marked with asterisks when there's a related section to read; "The Little Mermaid" has asterisks highlighting both Hans Christian Anderson and Disney, while the larger section of Victorian Fairy Painting has 19 asterisks in its three pages of text. While authors and stories generally don't get more than a few paragraphs of detail, you'll find the quantity of entries most impressive. Beyond standard fairy tales, authors of classic children's literature and adult fantasy are often included, if their works rely in any way on earlier myths or tales--Terry Pratchett and Maurice Sendak are two examples. Larger sections devoted to regional differences are lengthy and fascinating, and they include Portugal, Spain, France, North America, Britain, and Italy. The book also has plenty of illustrations. While they're all in black and white, the variety of artistic styles is wonderful, and each plate is large enough to show charming details of giants, maidens, witches, and all the classic characters of these beloved stories. Whether your heart lies with Edward Gorey or Kate Greenaway, you're sure to enjoy the facts behind your favorite tale. --Jill Lightner --This text refers to an out of print or unavailable edition of this title.
From Library Journal
The M?rchen, or fairy tale, is widely defined as a fictitious narrative with a human main character; it includes fantasy and is told as a means of instruction and/or entertainment. Born out of oral tradition, the tales contain many thought-provoking layers, including ancient incredulities, archetypical fears, contemporary folk beliefs, exquisite superstition, heartfelt wishes, and social commentary. This well-documented volume contains 800 signed entries authored by 67 authorities from around the world. No actual tales are included; instead, this reference is an illuminating collection of brief essays on classic tales, both modern and ancient. In alphabetical order, the companion profiles noted authors, illustrators, filmmakers, choreographers, and composers; more broadly, it covers film, art, opera, ballet, music, and commercial use. Zipes, a major authority on the subject, lets readers explore the development of the fairy-tale tradition in various countries, paying special attention to European and American writings. Attractive, well written, and approachable, this solid guide to the fairy-tale world is without equal. Recommended for all public and academic libraries.
-Richard K. Burns, MSLS, Hatboro, PA
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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