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"The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology)
 
 
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"The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology) (Paperback)

by Virginia Danielson (Author) "Umm Kulthum was unquestionably the most famous singer in the twentieth-century Arab world..." (more)
Key Phrases: speech about music, religious singer, new repertory, Umm Kulthúm, Zakariyyá Ahmad, Sayyid Darwish (more...)
4.0 out of 5 stars See all reviews (3 customer reviews)

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Customers buy this book with Umm Kulthum: A Voice Like Egypt DVD ~ Michal Goldman

"The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology) + Umm Kulthum: A Voice Like Egypt
Price For Both: $41.99

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Editorial Reviews

From Library Journal
This scholarly analysis of the phenomenon of Egypt's Umm Kulthum, a renowned singer and one of the most famous women in "world music," is an accessible combination of biography, sociology, and musicology. With over 40 years of weekly radio broadcasts and a still-thriving presence on recordings, Kulthum was a major force in Egypt and throughout the Arab world. Keeper of the Isham Memorial Library at Harvard University, Danielson examines the traditional religious musical culture into which Kulthum was born and the popular, cosmopolitan musical culture she affected, consciously and deeply, until her death in 1975. Quotations from interviews, contemporary reviews, and some of Umm Kulthum's own published statements reveal a strong-minded, savvy, talented woman with a prima donna's sense of her public. Recommended for large music libraries.?Bonnie Jo Dopp, Univ. of Maryland Lib., College Park
Copyright 1997 Reed Business Information, Inc.

Product Description
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career.

Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her.

This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time.

"She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif

Product Details

  • Paperback: 288 pages
  • Publisher: University Of Chicago Press (January 5, 1998)
  • Language: English
  • ISBN-10: 0226136124
  • ISBN-13: 978-0226136127
  • Product Dimensions: 8.9 x 6 x 0.8 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars See all reviews (3 customer reviews)
  • Amazon.com Sales Rank: #408,929 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #89 in  Books > Entertainment > Music > Musical Genres > Ethnic & International > International
    #95 in  Books > Entertainment > Music > Musical Genres > Ethnic & International > Ethnomusicology



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"The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology)
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"The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology) 4.0 out of 5 stars (3)
$19.50
Music in Egypt: Experiencing Music, Expressing Culture Includes CD (Global Music)
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Music in Egypt: Experiencing Music, Expressing Culture Includes CD (Global Music) 4.0 out of 5 stars (1)
$22.45

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Customer Reviews

3 Reviews
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Most Helpful Customer Reviews

 
9 of 10 people found the following review helpful:
5.0 out of 5 stars Um Kulthum like we never seen here before!, December 4, 1998
By kefy-q8ya@mailcity.com (Kuwaiti in the U. S.A) - See all my reviews
Virginia Danielson had succeeded in presenting Umm Kulthum to us in ways we never anticipated before. She went in depth describing how the Egyptian society in the twentieth century impacted Arabic songs and how Umkulthum fit in all of this. In this book, I learned more about Um Kulthum the person, the wife, the daughter, and the singer. How strong she was and powerful. Reading the book helped me understand more about here music and songs, appreciate more here voice and how she chooses here songs lyrics. This is a should get book.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars An essential book to understanding Egyptian Music, May 16, 1998
By A Customer
This book is a wonderful reference source for those who wish to understand Middle Eastern Music and what sets it apart. The life of this great singer is well documented and researched.
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0 of 1 people found the following review helpful:
2.0 out of 5 stars HMMMM, May 26, 2007
By Marty Cooper (New York, NY USA) - See all my reviews
(REAL NAME)   
This book is not the most palatable work to read. Danielson fails to invite the reader who has little previous experience with Arab culture. Although there are some interesting moments I would strongly suggest becoming more familiar with Arab culture before tackling this book. Danielson seems to be writing for her ethnomusicology friends and forgot to invite the rest of us.
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