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About the Author
In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, In the Course of Performance will be indispensable to anyone attracted to this fascinating art.
Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan.
Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan.
About the Author
Bruno Nettl is professor of music and anthropology at the University of Illinois, Champaign-Urbana. He is the author or editor of nineteen books, including Folk and Traditional Music of the Western Continents and The Study of Ethnomusicology. Melinda Russell is instructor of music at Carleton College.
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Inside This Book
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First Sentence:
Although the noun "improvisation" and its cognates are relatively new words in European languages, they have quickly become indispensable terms for talking about music and about many other areas of social life. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
svara kalpana, military role actor, vieneme nzuonno, modal ecstasy, improvisatory episode, structural syllables, binary phrasing, skeletal melody, patter speech, launeddas players, tarab culture, pulsation unit, improvisational expertise, lyrical singing, ecstatic feedback model, tala cycle, tonal gravity, cadential notes, improvisatory forms, composite rhythm, rhythm sung, modal jazz, how airy, improvisatory practices, melodic segments Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, New Orleans, Louis Armstrong, Miles Davis, Ravi Shankar, John Coltrane, Hong Kong, Clara Schumann, North Indian, Robert Schumann, Joe Oliver, George Russell, University of Chicago Press, Los Angeles, Shujaat Khan, African American, Oxford University Press, Cambridge University Press, Clara Wieck, Hot Five, University of California, Ali Akbar Khan, Herbie Hancock, Jihad Racy, Harvard University Press New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Although the noun "improvisation" and its cognates are relatively new words in European languages, they have quickly become indispensable terms for talking about music and about many other areas of social life. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
svara kalpana, military role actor, vieneme nzuonno, modal ecstasy, improvisatory episode, structural syllables, binary phrasing, skeletal melody, patter speech, launeddas players, tarab culture, pulsation unit, improvisational expertise, lyrical singing, ecstatic feedback model, tala cycle, tonal gravity, cadential notes, improvisatory forms, composite rhythm, rhythm sung, modal jazz, how airy, improvisatory practices, melodic segments Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, New Orleans, Louis Armstrong, Miles Davis, Ravi Shankar, John Coltrane, Hong Kong, Clara Schumann, North Indian, Robert Schumann, Joe Oliver, George Russell, University of Chicago Press, Los Angeles, Shujaat Khan, African American, Oxford University Press, Cambridge University Press, Clara Wieck, Hot Five, University of California, Ali Akbar Khan, Herbie Hancock, Jihad Racy, Harvard University Press New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
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14
books
cite this book:
See all 14 books citing this book
- New Grove Dictionary by Sadie on 8 pages
- The New Grove Dictionary of Music and Musicians (20 Volume Set) by Stanley Sadie on 4 pages
- Thinking in Jazz : The Infinite Art of Improvisation (Chicago Studies in Ethnomusicology Series) by Paul F. Berliner on page 65, page 146, and page 367
- Improvisation in A Ritual Context by Richard Calichman in Front Matter, and page 217
- Hong Kong (Where We Live) by Donna Bailey on page 215, and page 217
See all 100 books this book cites
- Performing Ethnomusicology: Teaching and Representation in World Music Ensembles by Ted Solis in Back Matter (1), Back Matter (2), and Back Matter (3)
- The Idea of Music in Victorian Fiction (Music in Nineteenth-Century Britain) (Music in Nineteenth-Century Britain) by Sophie Fuller on page 42, and Back Matter
- Among the Jasmine Trees: Music and Modernity in Contemporary Syria (Music Culture) by Jonathan Shannon in Back Matter (1), and Back Matter (2)
- The Stylus Phantasticus And Free Keyboard Music Of The North German Baroque by Paul Collins in Back Matter (1), and Back Matter (2)
- Key Terms in Language & Culture by Alessandro Duranti on page 118
See all 14 books citing this book
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