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Timing for Animation
 
 
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Timing for Animation (Paperback)

by Harold Whitaker (Author), John Halas (Author) "In a film, ideas must come over immediately to the audience..." (more)
Key Phrases: single frame animation, complete stride, limited animation, Animal Farm (more...)
4.5 out of 5 stars See all reviews (16 customer reviews)

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Frequently Bought Together

Timing for Animation + The Animator's Survival Kit + The Illusion of Life: Disney Animation
Price For All Three: $95.59

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Editorial Reviews

Review
"Halas and Whitaker's 'Timing for Animation' was, and still is, without a doubt, the best book for students of the art of animation. I can't recommend it highly enough."
Bob Godfrey, Oscar winning leading animated filmmaker and author.

"Secrets of 'action timing' lucidly explained and demonstrated by two of Britain's most highly respected and adept practitioners. An essential primer for both traditional and C.G. animators."
Ken Clark, animation historian and writer

"...this is the only publication devoted wholly to one of the most vital concepts in the art of animated film... The book is a vital source of reference for students as well as every studio and every animator...It's also easy to keep around for reference, it's not a huge coffee-table bible sized book made to impress. It just gives the facts, numbers and formulas and a few drawings to illustrate. Made by animators for animators.Although it was principally written for 2D animation, this book has crucial information for any animator (2D, CGI or model animation). It explains simply and clearly how to time a walk or a run; how to give your character a sense of weight; how force is transmitted; the effects of friction; spacing -and much more. The new foreword by John Lasseter puts these traditional skills in today's context, and gives praise where it is due. Every animator, would-be animator, animation studio and animation course should have this book."
Amazon.co.uk review

"If you only ever buy one animation book in your life - get this one. Timing for Animation gets down to the nuts and bolts of what animations about, and that's timing. Buy it!"
Amazon.co.uk review -- Review

"The principles of timing laid out in this book are move applicable (now) than ever before." -- John Lasseter

Review
"Halas and Whitaker's 'Timing for Animation' was, and still is, without a doubt, the best book for students of the art of animation. I can't recommend it highly enough."
Bob Godfrey, Oscar winning leading animated filmmaker and author.

"Secrets of 'action timing' lucidly explained and demonstrated by two of Britain's most highly respected and adept practitioners. An essential primer for both traditional and C.G. animators."
Ken Clark, animation historian and writer

"...this is the only publication devoted wholly to one of the most vital concepts in the art of animated film... The book is a vital source of reference for students as well as every studio and every animator... Buy it! You won't be sorry!"
Pat Raine Webb, The Dope Sheet, ASIFA (www.asifa.net)

"The principles of timing laid out in this book are more applicable (now) than ever before."
John Lasseter, Academy Award-winning director and animator, Pixar Animation Studios.

"Timing for Animation is a great book - it's saved me many times. It's also easy to keep around for reference, it's not a huge coffee-table bible sized book made to impress. It just gives the facts, numbers and formulas and a few drawings to illustrate. Made by animators for animators."
Webster Colcord, www.webstercolcord.com

"...anyone already studying or working in animation (as well as self taught computer animators) will find this book indispensable both to study and for reference."
MC Rebbe, www.thetechnofile.com

"A must-have for an animator's reference library"
Amazon.com review

"This is a must buy for future animators!"
Amazon.com review

"This is the bible for any serious animator. Although it was principally written for 2D animation, this book has crucial information for any animator (2D, CGI or model animation). It explains simply and clearly how to time a walk or a run; how to give your character a sense of weight; how force is transmitted; the effects of friction; spacing -and much more. The new foreword by John Lasseter puts these traditional skills in today's context, and gives praise where it is due. Every animator, would-be animator, animation studio and animation course should have this book."
Amazon.co.uk review

"If you only ever buy one animation book in your life - get this one. Timing for Animation gets down to the nuts and bolts of what animations about, and that's timing. Buy it!"
Amazon.co.uk review

See all Editorial Reviews

Product Details

  • Paperback: 148 pages
  • Publisher: Focal Press (February 2002)
  • Language: English
  • ISBN-10: 0240517148
  • ISBN-13: 978-0240517148
  • Product Dimensions: 9.6 x 7.3 x 0.4 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars See all reviews (16 customer reviews)
  • Amazon.com Sales Rank: #31,585 in Books (See Bestsellers in Books)

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Customer Reviews

16 Reviews
5 star:
 (12)
4 star:
 (2)
3 star:
 (1)
2 star:    (0)
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Average Customer Review
4.5 out of 5 stars (16 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
45 of 57 people found the following review helpful:
1.0 out of 5 stars Timing for Animation, April 1, 2003
Well, after waiting so long for this book to come back into print it turned out to be an overall disappointment. I found "Timing..." to be remedial and overpriced. True, timing itself is crucial to animation as with all acting, however this book offers nothing I didn't already learn from "Disney Animation: The Illusion of Life" or Preston Blair's How-To books, which I cut my teeth on.
If you are an animator who already owns every other book on the subject and you have 30 bucks burning a hole in your pocket then this book is for you. However, if you don't own the 50 other great animation books by Frank Thomas, Ollie Johnston, Richard Williams, Eadweard Muybridge, John Canemaker, Brian LeMay, Jeff Kurtti, Preston Blair, Chuck Jones, Tony White, Culhane, Finch, Schneider, Adamson, Rebello, Green, and Hart to name a few; then please go buy one of theirs.
This one is going back for a refund. Sometimes you just have to say "The Emperor is Naked."
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13 of 15 people found the following review helpful:
3.0 out of 5 stars Good book to have, but WAY OVERPRICED..., April 27, 2005
By G. Cepeda (Columbus, Ohio United States) - See all my reviews
(REAL NAME)   
I'm downgrading this book partly because it's overpriced and frankly I wish the drawing style in it were different.

It's still a nice book to have and covers some specific timing and staging problems that a lot of other books don't, but it's not the end-all and be-all for animation timing that it gets hyped up to be.

I still don't understand why this book was out-of-print for so long in the US and why it's so ridiculously overpriced now. It's really a $15 or $20 book at most, but the publishers are charging $30!
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10 of 12 people found the following review helpful:
5.0 out of 5 stars This is a must buy for future animators!, March 23, 2000
By A Customer
This review is from: Timing for Animation (Hardcover)
Although I don't own a copy of this book, I've read most of it. Just as the title says, this book focuses on one of the most important aspects of animation: timing. It's well written and full of exercises and techniques that will help you improve your timing. I've heard that some animation schools use it as a textbook. If you're thinking about a career in the animation industry, this book is a must buy. However, it's pretty hard to find since it's out of print. I think that it's worth the extra effort to own a copy.
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Most Recent Customer Reviews

5.0 out of 5 stars Very useful book
Timing for Animation is the best choice for those who would like to have a clear view of animation-timing. Read more
Published 19 months ago by Varga Petra

5.0 out of 5 stars I learned so much from this book.
My instructor recommended this book for my special effects animation class. It was such a life savor. Read more
Published 23 months ago by Cheryl Vanderbilt

5.0 out of 5 stars Great book!
As an animation student I found this book very helpfull. Not too heavy, just enough facts and examples to get the point across. Read more
Published on June 27, 2007 by G. Meregillano

5.0 out of 5 stars You will learn quickly with this no-frills book
I have referred to this book for nearly ten years, and it is still my favorite with regards to the fundamentals of creating naturalistic movement. Read more
Published on May 18, 2007 by Chris Magee

4.0 out of 5 stars A Must
This book is simply a must have for animators. It's very clear written and has great examples, I consider it a must just as the two masterpieces "Illusion of Life" and "Animation... Read more
Published on May 12, 2007 by Gabriele Scanziani

5.0 out of 5 stars Amazing animation book
This book is an essential to have for any animator. It communicates very clearly the basic principles of animation which is vital for either 2D or 3D animation. Read more
Published on February 22, 2007 by Katalin Nivelt

5.0 out of 5 stars Must have
I've been a professional animator for over 10 years and I cannot believe that I never had this book before now. I wish I had this to reference on several of my projects. Read more
Published on November 9, 2006 by Jackie Watson

5.0 out of 5 stars frames per second
When a god of anything tells you to do something, you do it. I'm an animator, or rather i hope to be one day, and as such I read everything I can in the hopes of becoming better... Read more
Published on August 31, 2006 by Kenneth Robkin

4.0 out of 5 stars good old "Timing for Animation"
I think it's a very good book for the beginner, because it explains some basic concepts very very well. (Best explanation of overlapping I've ever seen. Read more
Published on March 5, 2005 by Virgil Mihailescu

5.0 out of 5 stars finaly, an animation book with words!
I have a whole bunch of animation books, but I found that the majority of them were just pictures. I found it a huge relief to have a book that can actualy explain the animation... Read more
Published on November 9, 2003 by Pat A. Marconett

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