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The Motion Picture Image: From Film to Digital
 
 
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The Motion Picture Image: From Film to Digital (Paperback)

by Steven Barclay (Author) "While the means of recording images on film are clearly different from the way our eyes receive and process images, basic and reasonable correlations can..." (more)
Key Phrases: degree shutter angle, yellow dye layer, component digital format, Digital Betacam, Group of Pictures, Wratten Filter (more...)
5.0 out of 5 stars  (1 customer review)


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Editorial Reviews
Review
"Technical and scientific principles are presented in a concise and straightforward manner, providing readers with a solid foundation of knowledge to help create, control, manipulate and process images in a contemporary environment." - Film & Video, March 2000

"Both students of cinema and practicing cameramen will benefit from this volume. As technical as Barclay's subject matter is, his clear and engaging style makes his complex ideas quite accessible." - American Cinematographer, April 2000

Review
"Technical and scientific principles are presented in a concise and straightforward manner, providing readers with a solid foundation of knowledge to help create, control, manipulate and process images in a contemporary environment." - Film & Video, March 2000

"Both students of cinema and practicing cameramen will benefit from this volume. As technical as Barclay's subject matter is, his clear and engaging style makes his complex ideas quite accessible." - American Cinematographer, April 2000

See all Editorial Reviews

Product Details
  • Paperback: 232 pages
  • Publisher: Focal Press (October 1999)
  • Language: English
  • ISBN-10: 0240803906
  • ISBN-13: 978-0240803906
  • Product Dimensions: 9.2 x 6 x 0.5 inches
  • Shipping Weight: 11.4 ounces
  • Average Customer Review: 5.0 out of 5 stars  (1 customer review)
  • Amazon.com Sales Rank: #1,766,602 in Books (See Bestsellers in Books)
    (Publishers and authors: Improve Your Sales)

Inside This Book (learn more)
First Sentence:
While the means of recording images on film are clearly different from the way our eyes receive and process images, basic and reasonable correlations can be made regarding the camera and the eye. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
degree shutter angle, yellow dye layer, component digital format, aim density, anamorphic print, color timer, mastering format, color analyzer, incident meter, correlated color temperature, color compensating filters,