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Editorial Reviews
Review
"This may be the most attractive book on film scoring we've seen yet, a very handsome coffee-table sized paperback full of black and white and color photographs, with a specially-produced CD containing 13 selections representing the composers discussed in the book."
-Randall D. Larson, Soundtrack Magazine
"This is an excellent addition to any library of motion picture music, and a suitable introduction for those unacquainted with its intricacies."
-Randall D. Larson, Soundtrack Magazine
"The third volume in Focal Press's Screencraft series, Film Music is an excellent examination of the role music and film scoring plays in contemporary cinema." - American Cinematographer, June 2001
"This 9" x 12" book is generously illustrated with color photos and film stills, along with handwritten samples of scores composed by artists..." - American Cinematographer, June 2001
"On first flip through, I found the book both colorful and well organized...In final analysis, I would not hesitate to recommend this book to fans of film music in general. And with its wonderful assortment of film stills and CD, it's a pleasure for film buffs as well." - SCOREBABY - April 2001 -- Review
Review
"This may be the most attractive book on film scoring we've seen yet, a very handsome coffee-table sized paperback full of black and white and color photographs, with a specially-produced CD containing 13 selections representing the composers discussed in the book."
-Randall D. Larson, Soundtrack Magazine
"This is an excellent addition to any library of motion picture music, and a suitable introduction for those unacquainted with its intricacies."
-Randall D. Larson, Soundtrack Magazine
"The third volume in Focal Press's Screencraft series, Film Music is an excellent examination of the role music and film scoring plays in contemporary cinema." - American Cinematographer, June 2001
"This 9" x 12" book is generously illustrated with color photos and film stills, along with handwritten samples of scores composed by artists..." - American Cinematographer, June 2001
"On first flip through, I found the book both colorful and well organized...In final analysis, I would not hesitate to recommend this book to fans of film music in general. And with its wonderful assortment of film stills and CD, it's a pleasure for film buffs as well." - SCOREBABY - April 2001
See all Editorial Reviews
"This may be the most attractive book on film scoring we've seen yet, a very handsome coffee-table sized paperback full of black and white and color photographs, with a specially-produced CD containing 13 selections representing the composers discussed in the book."
-Randall D. Larson, Soundtrack Magazine
"This is an excellent addition to any library of motion picture music, and a suitable introduction for those unacquainted with its intricacies."
-Randall D. Larson, Soundtrack Magazine
"The third volume in Focal Press's Screencraft series, Film Music is an excellent examination of the role music and film scoring plays in contemporary cinema." - American Cinematographer, June 2001
"This 9" x 12" book is generously illustrated with color photos and film stills, along with handwritten samples of scores composed by artists..." - American Cinematographer, June 2001
"On first flip through, I found the book both colorful and well organized...In final analysis, I would not hesitate to recommend this book to fans of film music in general. And with its wonderful assortment of film stills and CD, it's a pleasure for film buffs as well." - SCOREBABY - April 2001 -- Review
Review
"This may be the most attractive book on film scoring we've seen yet, a very handsome coffee-table sized paperback full of black and white and color photographs, with a specially-produced CD containing 13 selections representing the composers discussed in the book."
-Randall D. Larson, Soundtrack Magazine
"This is an excellent addition to any library of motion picture music, and a suitable introduction for those unacquainted with its intricacies."
-Randall D. Larson, Soundtrack Magazine
"The third volume in Focal Press's Screencraft series, Film Music is an excellent examination of the role music and film scoring plays in contemporary cinema." - American Cinematographer, June 2001
"This 9" x 12" book is generously illustrated with color photos and film stills, along with handwritten samples of scores composed by artists..." - American Cinematographer, June 2001
"On first flip through, I found the book both colorful and well organized...In final analysis, I would not hesitate to recommend this book to fans of film music in general. And with its wonderful assortment of film stills and CD, it's a pleasure for film buffs as well." - SCOREBABY - April 2001
See all Editorial Reviews
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Inside This Book
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First Sentence:
Bernard Hermann was born in 1911 and received a classical training in composition and conducting at New York University and the Juilliard School of Music. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
howard shore, temp track, danny elfman, film scoring, michael nyman, film composer, elmer bernstein, film score Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Three Colours, Martin Scorsese, Edward Scissorhands, Merry Christmas, Betty Blue, David Lean, Planet of the Apes, The Silence of the Lambs, Tim Burton, Dirty Harry, Doctor Zhivago, Krzysztof Kieslowski, Lawrence of Arabia, Midnight Cowboy, Out of Africa, Cape Fear, Citizen Kane, Dizzy Gillespie, Maurice Jarre, The Cincinnati Kid, The Day the Earth Stood Still, The Last Emperor, The Magnificent Seven, Van Gogh New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
Bernard Hermann was born in 1911 and received a classical training in composition and conducting at New York University and the Juilliard School of Music. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
howard shore, temp track, danny elfman, film scoring, michael nyman, film composer, elmer bernstein, film score Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Three Colours, Martin Scorsese, Edward Scissorhands, Merry Christmas, Betty Blue, David Lean, Planet of the Apes, The Silence of the Lambs, Tim Burton, Dirty Harry, Doctor Zhivago, Krzysztof Kieslowski, Lawrence of Arabia, Midnight Cowboy, Out of Africa, Cape Fear, Citizen Kane, Dizzy Gillespie, Maurice Jarre, The Cincinnati Kid, The Day the Earth Stood Still, The Last Emperor, The Magnificent Seven, Van Gogh New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
Citations (learn more)
This book cites 35
books:
See all 35 books this book cites
- Doctor Zhivago (Spanish Edition) by David Lean on 5 pages
- "Citizen Kane" Book (Screen and Cinema) by Orson Welles on 4 pages
- The English Patient (Screen and Cinema) by Anthony Minghella on page 90, page 97, and page 98
- The Age of Innocence: A Portrait of the Film Based on the Novel by Edith Wharton (Newmarket Shooting Script) by Martin Scorsese on page 14, page 23, and page 24
- Magnificent Seven (Montana Mavericks) by Cheryl St. John on page 14, and Back Matter
See all 35 books this book cites
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