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Animation from Pencils to Pixels: Classical Techniques for the Digital Animator
 
 
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Animation from Pencils to Pixels: Classical Techniques for the Digital Animator (Paperback)

by Tony White (Author)
Key Phrases: pegs flipping, pose test animatic, inbetween drawings, Fringe Benefits, Spirited Away, Warner Brothers (more...)
4.4 out of 5 stars See all reviews (14 customer reviews)

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Frequently Bought Together

Animation from Pencils to Pixels: Classical Techniques for the Digital Animator + The Animator's Survival Kit + The Illusion of Life: Disney Animation
Price For All Three: $96.87

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Editorial Reviews

Review
"From traditional to computer animation, from film to gaming, a great text for all who teach."
- Robert Adams, Walt Disney Productions/Warner Bros

"All encompassing"
- Brian Martin, FOX NET Animator

". this book is . a well-written, smart tomes that makes you wish the author was one of your teachers in school. Because the book resonates with wisdom that comes with spending years in the trenches of Toon Town, it should be a must-read for anyone who wants to brave the waters of digital animation. Overall, it's a handsome companion to White's earlier primer, The animator's Workbook." Animation, Nov. 2006

Book Description
Just add talent. This comprehensive book gives today's digital animators all the lessons they never had - classical animation techniques used by the most original animators of our time.

See all Editorial Reviews

Product Details

  • Paperback: 528 pages
  • Publisher: Focal Press; 1 edition (August 4, 2006)
  • Language: English
  • ISBN-10: 0240806700
  • ISBN-13: 978-0240806709
  • Product Dimensions: 10.2 x 7.2 x 1 inches
  • Shipping Weight: 2.8 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars See all reviews (14 customer reviews)
  • Amazon.com Sales Rank: #332,965 in Books (See Bestsellers in Books)

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Customer Reviews

14 Reviews
5 star:
 (9)
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 (2)
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Average Customer Review
4.4 out of 5 stars (14 customer reviews)
 
 
 
 
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13 of 15 people found the following review helpful:
5.0 out of 5 stars An excellent overview by an excellent author., August 15, 2006
The long-awaited sequel to Tony White's ANIMATOR'S WORKBOOK is worth the wait.
ANIMATION FROM PENCILS TO PIXELS is unique among animation books since artwork from White's short film ENDANGERED SPECIES is used to illustrate most of the sections of the book, though some student work is also included. Some material from THE ANIMATOR'S WORKBOOK is repeated, mainly in the sections that deal with action analysis. White has included valuable chapters on Flash and vector-based 2D animation. While drawing is clearly his first love there are also chapters on CGI '3D' animation written from the perspective of a professional animator.
The massive book (over 500 pages long) is readable and easy to navigate. Images are large and well-placed (this has been a notable failing in many animation how-to books.)
It's quite ambitious to incorporate preproduction, production, and post in two media into one volume. If you want a good, well written overview of animation production in the 21st century, this is the book to get.
I would like to see ENDANGERED SPECIES on a full DVD copy; the PDF format in the original edition is a bit hard to play on this computer.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Great for Students!, February 14, 2007
Students of animation! This book is essential for your home or studio shelf. Animation From Pencils to Pixels is a comprehensive overview of animation production for the digital animator. As a text book it covers the lot - the mechanics of animation, funding your projects, the traditional aspects (yes, they're still important), new tools and methods, the business and copyright of your work, getting the concept and where to go with it. It is a classy tome well laid out and encourages you to read on easily. Other books on animation go into more depth concerning the specifics in animation but for an overall appreciation of the art and industry you can't go past this one. It is a good companion book to The Animator's Survival Kit (can I mention that?) which has more depth on the nitty-gritties of animated movement. My only criticism is the "I, I, I...." stance of the author. But with the profile and experience that Tony has there is a lot here to learn from, while in the early years of discovering the art of animating.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars No need for this book though, November 25, 2007
By Harmonybee (United States) - See all my reviews
The Animator's Workbook will do you just fine.
This book does go over the tried and true traditional principles and how they are implemented in the digital animation environment.
Let's face it there are hundreds of Animation Software Suites to choose from. I doubt this book will cover them all only the most well know and popular Animation Software packages.

You are better off Just buying a user's manual if you already own the software mentioned in this book and get a more thorough book on Animation. The few software suites this book mentions are Toonboom Studio,Adobe Flash(formerly known as Macromedia Flash). I don't remember all the details.

However if you are an absolute newbie to digital animation this book is a nice start in the right direction.

Don't get me wrong Tony White knows his stuff I just don't think this book will reveal much of anything new about animation if you are experienced with Animation Software and the logic behind it's interface.

I recommend you borrow this book from a library before you decide to buy it.
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Most Recent Customer Reviews

5.0 out of 5 stars Great book for anyone learning animation
This book has really helped me and I have learned a lot from this book. I would recommend this book.
Published 8 months ago by Dagoberto Grajeda

3.0 out of 5 stars a little bit of everything
This book has a little bit of everything where animation is concerned. It has a lot of solid advice, though it can get wordy at times. Read more
Published 11 months ago by David Cherry

5.0 out of 5 stars Wonderful! A current and deep book!
Wonderful! A current and deep book! A book that shows the whole technique of the contemporary animation. Written by one of the great names of the animation. Read more
Published 14 months ago by Alexandre

4.0 out of 5 stars Extremely helpful book by Mr White
I'm glad Mr Tony White wrote this book because in it he doesn't shy away from the fact that traditional 2D animation is an art superior to computer animation. Read more
Published 14 months ago by D. Guenzel

5.0 out of 5 stars A dream and a number 2 pencil will take you anywhere
I have studied animation for the last several years. I am a Flash designer specializing in E-learning in the Seattle market. Read more
Published 15 months ago by Keith Johnson

5.0 out of 5 stars Great Material for Every CG Animator
Lacking an understanding of traditional 2D animation skills is a complaint many times heard when talking with CG Animation studio employers. Read more
Published 18 months ago by Mark

5.0 out of 5 stars The best book on making an animated film. period
The ultimate book for digital 2d animators, I cant imagine having a better animation related book.

Even though this book is mainly aimed at animators, it covers the... Read more
Published 19 months ago by Thunderrobot

3.0 out of 5 stars Good Book a little to basic
I'm a professional 3D artist in Chile, i bought this book thinking that it's was going to be a big help to improve my working piplines but i think is better for students of 3D... Read more
Published on March 19, 2007 by Ricardo Solter

5.0 out of 5 stars Pencils and Pixels and Great Animation
Tony White is one of the best Animators and instructors writing books and sharing his knowledge on his website and in animation magazines. This is another great book by him. Read more
Published on November 10, 2006 by George Sentman

5.0 out of 5 stars I still miss my pencil
Tony White's new book is a good bridge for us older animators making the transition from pencil and paper to pixels and Pixar. Read more
Published on November 6, 2006 by Campbell J. Ford

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