Theremin - An Electronic Odyssey DVD ~ Leon Theremin  (27)
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The Art Of The Theremin ~ Manuel de Falla  (19)
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Lost Theremin Album ~ Johann Sebastian Bach  (8)
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Analog Days: The Invention and Impact of the Moog Synthesizer by Trevor Pinch (11)
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Waves in the Ether: The Magical World of the Theremin ~ Dr. Samuel J. Hoffman (2)
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Editorial Reviews
From Publishers Weekly
For this biography, Glinsky admirably resurrects the name of Leon Theremin, the Soviet inventor of an electronic musical instrument played by moving one's hands in the space between two antennae, but his use of Theremin's life as a metaphor for the Cold War leads him astray. An engineering prodigy, Theremin (1896-1993) invented his instrument early in the 20th century. The synthesizer's forerunner, the theremin was most often used in soundtracks for science fiction films; an advanced version was also used in the Beach Boys' "Good Vibrations." According to Glinsky, Theremin was also a ladies' manAmarried several times, he was rumored to be looking for female companionship when he was in his 90s. The inventor lived in the U.S. during the 1930s, where for a short time he was the toast of the town, but he quickly fell into debt. After he returned to the Soviet Union in 1938, he was arrested and spent time in a labor camp before he was freedAonly to be forced to remain in service to the state. Glinsky, a composer and professor at Mercy Hurst College in Pennsylvania, is unable to resist the temptation to use Theremin as a metaphor for the political clash between communism and capitalism. Not only does this allegory lack nuanceAGlinsky himself notes that U.S. leftists were persecuted, albeit on a much lesser scale, during the McCarthy eraAbut the political focus clouds the author's portrait of Theremin's personality and prevents him from using his talents to evaluate Theremin's musical legacy. Photos not seen by PW. (Oct.)
Copyright 2000 Reed Business Information, Inc.
From Booklist
Lev Sergeyevich Termen (1896-1993) grew up in St. Petersburg, the son of a lawyer and a mother who dabbled in the arts. Naturally inclined toward music and physics, Lev understood electromagnetic fields and applied these principles to design a "space controlled" instrument employing recently developed vacuum tube oscillators and amplifiers. Dubbing the device with his French ancestral name, Theremin, he toured Europe and America, training several to play it. Returning, perhaps abducted, to Russia as Stalin rose to power, he was imprisoned in Siberia for months, then put in a special unit to develop listening devices to spy on the U.S. Embassy. Glinsky tells the tale of Termen's two lives with spirit and empathy, describing the horrors of the Soviet state and Termen's tenacity in continuing to create electronic instruments. Meanwhile, the original theremin inspired Robert Moog to develop his influential electronic synthesizers in the 1960s. Glinsky delves into the physics of Termen's creations, but principally this is the inspiring story of an inventive genius who launched a revolution in music making. Alan Hirsch
Copyright © American Library Association. All rights reserved
For this biography, Glinsky admirably resurrects the name of Leon Theremin, the Soviet inventor of an electronic musical instrument played by moving one's hands in the space between two antennae, but his use of Theremin's life as a metaphor for the Cold War leads him astray. An engineering prodigy, Theremin (1896-1993) invented his instrument early in the 20th century. The synthesizer's forerunner, the theremin was most often used in soundtracks for science fiction films; an advanced version was also used in the Beach Boys' "Good Vibrations." According to Glinsky, Theremin was also a ladies' manAmarried several times, he was rumored to be looking for female companionship when he was in his 90s. The inventor lived in the U.S. during the 1930s, where for a short time he was the toast of the town, but he quickly fell into debt. After he returned to the Soviet Union in 1938, he was arrested and spent time in a labor camp before he was freedAonly to be forced to remain in service to the state. Glinsky, a composer and professor at Mercy Hurst College in Pennsylvania, is unable to resist the temptation to use Theremin as a metaphor for the political clash between communism and capitalism. Not only does this allegory lack nuanceAGlinsky himself notes that U.S. leftists were persecuted, albeit on a much lesser scale, during the McCarthy eraAbut the political focus clouds the author's portrait of Theremin's personality and prevents him from using his talents to evaluate Theremin's musical legacy. Photos not seen by PW. (Oct.)
Copyright 2000 Reed Business Information, Inc.
From Booklist
Lev Sergeyevich Termen (1896-1993) grew up in St. Petersburg, the son of a lawyer and a mother who dabbled in the arts. Naturally inclined toward music and physics, Lev understood electromagnetic fields and applied these principles to design a "space controlled" instrument employing recently developed vacuum tube oscillators and amplifiers. Dubbing the device with his French ancestral name, Theremin, he toured Europe and America, training several to play it. Returning, perhaps abducted, to Russia as Stalin rose to power, he was imprisoned in Siberia for months, then put in a special unit to develop listening devices to spy on the U.S. Embassy. Glinsky tells the tale of Termen's two lives with spirit and empathy, describing the horrors of the Soviet state and Termen's tenacity in continuing to create electronic instruments. Meanwhile, the original theremin inspired Robert Moog to develop his influential electronic synthesizers in the 1960s. Glinsky delves into the physics of Termen's creations, but principally this is the inspiring story of an inventive genius who launched a revolution in music making. Alan Hirsch
Copyright © American Library Association. All rights reserved
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