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This study interprets the intricate complexion of dance in Cuban society, focusing on the dynamic cultural phenomenon known as rumba, in particular. In introducing her topic, Daniel displays as vigorous a tempo as the energized movement of the dance itself. Overall, her inquiry probes the origins of rumba then proceeds to analyze the capacity of this distinctive dance to influence all levels of social interactions. It is intriguing to note that Daniel follows in the tradition of other anthropologists who have focused on dance as a method of comprehending a culture and have been dancers themselves. The professional form of rumba as well as traditional and public forms are examined here with respect to the excitement generated by and the transformative potential of this dance. Alice Joyce --This text refers to the Hardcover edition.
Product Description
Using dance anthropology to illuminate the values and attitudes embodied in rumba, Yvonne Daniel explores the surprising relationship between dance and the profound, complex changes in contemporary Cuba. From the barrio and streets to the theatre and stage, rumba has emerged as an important medium, contributing to national goals, reinforcing Caribbean solidarity, and promoting international prestige. Since the Revolution of 1959, rumba has celebrated national identity and cultural heritage, and embodied an official commitment to new values. Once a lower-class recreational dance, rumba has become a symbol of egalitarian efforts in postrevolutionary Cuba. The professionalization of performers, organization of performance spaces, and proliferation of performance opportunities have prompted new paradigms and altered previous understandings of rumba.
This study interprets the intricate complexion of dance in Cuban society, focusing on the dynamic cultural phenomenon known as rumba, in particular. In introducing her topic, Daniel displays as vigorous a tempo as the energized movement of the dance itself. Overall, her inquiry probes the origins of rumba then proceeds to analyze the capacity of this distinctive dance to influence all levels of social interactions. It is intriguing to note that Daniel follows in the tradition of other anthropologists who have focused on dance as a method of comprehending a culture and have been dancers themselves. The professional form of rumba as well as traditional and public forms are examined here with respect to the excitement generated by and the transformative potential of this dance. Alice Joyce --This text refers to the Hardcover edition.
Product Description
Using dance anthropology to illuminate the values and attitudes embodied in rumba, Yvonne Daniel explores the surprising relationship between dance and the profound, complex changes in contemporary Cuba. From the barrio and streets to the theatre and stage, rumba has emerged as an important medium, contributing to national goals, reinforcing Caribbean solidarity, and promoting international prestige. Since the Revolution of 1959, rumba has celebrated national identity and cultural heritage, and embodied an official commitment to new values. Once a lower-class recreational dance, rumba has become a symbol of egalitarian efforts in postrevolutionary Cuba. The professionalization of performers, organization of performance spaces, and proliferation of performance opportunities have prompted new paradigms and altered previous understandings of rumba.
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25
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- The Cuba Reader: History, Culture, Politics (The Latin America Readers) by Paula Pettavino on 4 pages
- Music from Cuba: Mongo Santamaria, Chocolate Armenteros, and Other Stateside Cuban Musicians by Charley Gerard on 4 pages
- The Cuba Reader: History, Culture, Politics (The Latin America Readers) by Paula Pettavino on page 474, Back Matter (1), and Back Matter (2)
- Glamour Addiction: Inside the American Ballroom Dance Industry by Juliet McMains in Back Matter (1), and Back Matter (2)
- Wake the Town and Tell the People: Dancehall Culture in Jamaica by Norman Stolzoff in Back Matter
See all 25 books citing this book
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