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by Rosalind E. Krauss
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The Originality of the Avant-Garde and Other Modernist Myths by Rosalind E. Krauss |
Visions Of Excess: Selected Writings, 1927-1939 (Theory and History of Literature) by Georges Bataille |
The Return of the Real: Art and Theory at the End of the Century (October Books) by Hal Foster |
by André Breton
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Surrealism has long been seen as its founder, Andre Breton, wanted it to be seen: as a movement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. Compulsive Beauty not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, it also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.
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