Review
“...provides a succinct synopsis of broad feminist issues and their impact on methodological and critical approaches that all readers can appreciate.”–Popular Culture Association in the South Newsletter
“With her book, Dannielle Blumenthal does for daytime soap operas what Janice Radway did for romance novels. Blumenthal takes a genre that traditionally has been undervalued by society, as well as communication researchers, and shows how soap opera viewing is an empowering activity for women. A strength of Blumenthal's work is the range of methods she applies to the study of daytime soap operas--content analysis, surveys of soap opera viewers, and analysis of open-ended comments from the viewers themselves. Blumenthal's analysis resolves some of the contradictions inherent in understanding the appeal of soap operas--how a genre that simplifies and trivializes some of women's concerns can empower women and be a feminist activity.”–Elizabeth M. Perse Associate Professor, Department of Communication University of Delaware
“With her book, Dannielle Blumenthal does for daytime soap operas what Janice Radway did for romance novels. Blumenthal takes a genre that traditionally has been undervalued by society, as well as communication researchers, and shows how soap opera viewing is an empowering activity for women. A strength of Blumenthal's work is the range of methods she applies to the study of daytime soap operas--content analysis, surveys of soap opera viewers, and analysis of open-ended comments from the viewers themselves. Blumenthal's analysis resolves some of the contradictions inherent in understanding the appeal of soap operas--how a genre that simplifies and trivializes some of women's concerns can empower women and be a feminist activity.”–Elizabeth M. Perse Associate Professor, Department of Communication University of Delaware
Product Description
Women's soap opera viewing has long been thought of by feminists and nonfeminists as an unproductive waste of time. Blumenthal takes the opposing view, arguing that women's "indulgence" in these programs is actually liberating. In overcoming the social opposition to the stigma attached to the feminine content and style, and engaging in soap opera viewing, women celebrate their femininity, particularly their gendered identification with romance, relationality, intuitiveness, talkativeness, and other aspects of emotionality. This book will be of interest to academics in the areas of sociology, women's studies, and media studies.













