From Publishers Weekly
Belgian surrealist painter Rene Magritte's mother committed suicide by drowning herself when he was 13. Spitz, a psychoanalytic critic, interprets his enigmatic paintings as signs of a lifelong struggle with this loss. In this dense but intriguing scholarly miscellany, Spitz (Art and Psyche) muses on the absurd as manifested in Chekhov's play The Bear and in Freud's dissection of jokes; interprets Robert Pirsig's Zen and the Art of Motorcycle Maintenance as an avant-garde postmodernist work; and explores themes of nonconformity and rebellion in the film Dead Poets Society and in Calvin and Hobbes, a comic strip whose six-year-old protagonist creates a florid fantasy life with his toy tiger. In Sophocles's Antigone, Spitz finds an ethical imperative: conflicts in life must not be avoided. Her poignant concluding essay on Brundibar, a Czech children's opera that was performed many times by child inmates at the Nazis' Terezin concentration camp, illumines the power of art to inspire hope and a will to live. Illustrated.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Spitz is at once a philosophical psychoanalyst and an eloquent poet. Captivated and marvelously inspired by the disjunctive visions of the surreal Magritte, she devotes nearly half these associatively written contemplations to the labyrinth that is his work. In her view, the suicide of Magritte's mother looms as the primary motivation for his "painted puzzles" and the source of his personal eccentricity. Spitz follows her meditations on Magritte with literate observations on snippets of drama, Hollywood film, and icons of popular culture. Writing across the disciplines, she discourses on absurdity and the joke and reviews Chekhov, Zen and the Art of Motorcycle Maintenance, Dead Poets Society, and the comic strip Calvin and Hobbes. Recommended for both general readers and scholars.
Mary Hamel-Schwulst, Towson State Univ., Md.Copyright 1995 Reed Business Information, Inc.
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