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Editorial Reviews
From Publishers Weekly
Butler's biography of the legendary sculptor draws extensively from the artist's own voluminous correspondence.
Copyright 1996 Reed Business Information, Inc.
From Kirkus Reviews
An insightful life of Auguste Rodin (1840-1917) that's based on many previously unpublished letters and a fresh interpretation of familiar facts. Butler (Art/UMass at Boston) is especially perceptive about Rodin's relationships--how they inspired, energized, and influenced his art--particularly his relations with the women to whom he claimed he ``owed everything'': his sister, who died when he was 21; his companion of 51 years, Rose Beuret, whom his biographer, Judith Cladel, arranged for him to marry when they were both near death; Camille Claudel, the student whom he reputedly drove mad; wealthy married women who commissioned portraits; and dozens of models who inspired and posed for his thousands of frenetic erotic drawings. Returning to France from Brussels, where he'd began his career, Rodin stopped in Florence, where he encountered the grandeur of Michelangelo and was liberated from the Grecian academic style that prevailed in Paris. This new, more natural, and somewhat vulgar style, as well as the artist's own demanding nature, accounted for his alienation from the centers of power in the artistic community, especially from the Salon system. Nonetheless, in an age of ``statuemania,'' of nationalism and public art, Rodin created major icons: The Kiss, The Thinker, The Burghers of Calais, and The Gate of Hell, the sublime portals based on Dante and cast for a museum that was never built. Butler's special strengths are in analyzing the politics of the artistic community and the art of politics; the expensive and collaborative nature of sculpture (the space, technology, and immense amount of assistance that Rodin required); Rodin's entrepreneurial dimension; his neglect of his illegitimate son; his fame abroad (Rilke wrote his first biography) but his equivocal position in France; and his loneliness. Like Rodin's art: simplified but rounded; monumental. (Two hundred photographs) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Butler's biography of the legendary sculptor draws extensively from the artist's own voluminous correspondence.
Copyright 1996 Reed Business Information, Inc.
From Kirkus Reviews
An insightful life of Auguste Rodin (1840-1917) that's based on many previously unpublished letters and a fresh interpretation of familiar facts. Butler (Art/UMass at Boston) is especially perceptive about Rodin's relationships--how they inspired, energized, and influenced his art--particularly his relations with the women to whom he claimed he ``owed everything'': his sister, who died when he was 21; his companion of 51 years, Rose Beuret, whom his biographer, Judith Cladel, arranged for him to marry when they were both near death; Camille Claudel, the student whom he reputedly drove mad; wealthy married women who commissioned portraits; and dozens of models who inspired and posed for his thousands of frenetic erotic drawings. Returning to France from Brussels, where he'd began his career, Rodin stopped in Florence, where he encountered the grandeur of Michelangelo and was liberated from the Grecian academic style that prevailed in Paris. This new, more natural, and somewhat vulgar style, as well as the artist's own demanding nature, accounted for his alienation from the centers of power in the artistic community, especially from the Salon system. Nonetheless, in an age of ``statuemania,'' of nationalism and public art, Rodin created major icons: The Kiss, The Thinker, The Burghers of Calais, and The Gate of Hell, the sublime portals based on Dante and cast for a museum that was never built. Butler's special strengths are in analyzing the politics of the artistic community and the art of politics; the expensive and collaborative nature of sculpture (the space, technology, and immense amount of assistance that Rodin required); Rodin's entrepreneurial dimension; his neglect of his illegitimate son; his fame abroad (Rilke wrote his first biography) but his equivocal position in France; and his loneliness. Like Rodin's art: simplified but rounded; monumental. (Two hundred photographs) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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Inside This Book
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First Sentence:
Auguste Rodin was thoroughly Parisian-everyday, poor Parisian. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
vie inconnue, petit gallery, fine arts administration, bronze cast Key Phrases - Capitalized Phrases (CAPs): (learn more)
Victor Hugo, Rose Beuret, Camille Claudel, Exposition Universelle, New York, Van Rasbourgh, Ecole des Beaux-Arts, Saint John, Second Empire, Auguste Rodin, Judith Cladel, Petite Ecole, Auguste Beuret, Claude Lorrain, Villa des Brillants, Lady Sackville, Conseil Municipal, Third Republic, Claire de Choiseul, Father Eymard, Jean-Baptiste Rodin, Paul Claudel, Prix de Rome, Edmond de Goncourt, Eustache de Saint-Pierre New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Auguste Rodin was thoroughly Parisian-everyday, poor Parisian. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
vie inconnue, petit gallery, fine arts administration, bronze cast Key Phrases - Capitalized Phrases (CAPs): (learn more)
Victor Hugo, Rose Beuret, Camille Claudel, Exposition Universelle, New York, Van Rasbourgh, Ecole des Beaux-Arts, Saint John, Second Empire, Auguste Rodin, Judith Cladel, Petite Ecole, Auguste Beuret, Claude Lorrain, Villa des Brillants, Lady Sackville, Conseil Municipal, Third Republic, Claire de Choiseul, Father Eymard, Jean-Baptiste Rodin, Paul Claudel, Prix de Rome, Edmond de Goncourt, Eustache de Saint-Pierre New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 66
books:
See all 66 books this book cites
8
books
cite this book:
See all 8 books citing this book
- Camille Claudel by Reine-Marie Paris on 29 pages
- Rodin: A Biography by Frederic V. Grunfeld on 11 pages
- Rodin in Perspective by Ruth Butler on 9 pages
- Last Years of Rodin by Marcelle Tirel on 5 pages
- Auguste Rodin (Dover Books on Art, Art History) by Rainer Maria Rilke on 5 pages
See all 66 books this book cites
- Gwen John: A Painter's Life by Sue Roe on 10 pages
- The Seductions of Biography (Culture Work) by David Suchoff in Front Matter (1), and Front Matter (2)
- Rodin: The Zola of Sculpture (Subject/Object--New Studies in Sculpture) by Claudine Mitchell on page 235, and Back Matter
- The Mistress: Histories, Myths and Interpretations of the "Other Woman" by Victoria Griffin on page 185, and Back Matter
- Leonardo's Nephew: Essays on Art and Artists by James Fenton in Back Matter (1), and Back Matter (2)
See all 8 books citing this book
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