From Library Journal
Smith (art history, Univ. of Bristol) argues here that Seurat's works can be seen both ideologically and aesthetically and that the "meaning" will therefore depend on the point of view. He thoroughly reviews Seurat's enterprise, drawing heavily on contemporary theory and criticism. He presents informed discussions on color theory, line, subject-matter, art movements, and politics, and he elucidates the visionary aesthetics based on Richard Wagner in the making of Seurat's paintings and the role of ideas therein. The ideas are complex and, as with much contextual art history, demand much prior knowledge on the part of the reader; but the book is well organized and the writing is clear. For advanced and specialized collections. Curator Leighton and scholar Thomson offer the catalog of a single-painting exhibition at London's National Gallery. Again, it is very clearly written, with background on Seurat's work leading up to his 1884 masterpiece, "Bather at Asnieres"; detailed exposition on the technical aspects of the painting; and an accessible discussion of the artistic context for the work?including informative illustrations and comparisons with contemporary bather subject pictures. Narrower in focus than Smith's book, but aimed at a broader audience, Seurat and the Bathers succeeds on both the popular and the scholarly level and is recommended for all collections.?Jack Perry Brown, Art Inst. of Chicago Lib.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Book Description
When Seurat first exhibited his Bathers at Asni_res in 1884, it perplexed but fascinated the few critics who noticed it. Today the picture is one of the most famous and popular works in the world. Yet the extraordinary appeal of this painting is not easily defined. In Seurat and the Bathers the authors discuss the various choices Seurat made with regard to subject, format, and technique in preparing this monumental painting.
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- British Artists and the Modernist Landscape (British Art and Visual Culture Since 1750 New Readings) (British Art and Visual Culture Since 1750 New Readings) ... and Visual Culture Since 1750 New Readings) by Ysanne Holt in Back Matter (1), Back Matter (2), and Back Matter (3)
- A History of Experimental Film and Video by A.L. Rees in Back Matter
- Leonardo's Nephew: Essays on Art and Artists by James Fenton in Back Matter
- The Art of Impressionism: Painting Technique and the Making of Modernity by Anthea Callen in Back Matter
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