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Editorial Reviews
From Booklist
The latest volume in the estimable Yale English Monarchs series covers the life of George IV, king from 1820 to 1830. Son of the long-ruling George III, from whom the American colonies broke away to eventually form a more perfect union, George IV is understood here as having developed weaknesses of character in direct response to his difficult relationship with his father. But Smith asserts that historians have placed too much emphasis on those weaknesses. As a matter of fact, Smith avers, George IV was not a disastrous king by any means, but one whose accomplishments need to be reconsidered, which he proceeds to do in an orderly and supportable fashion. That George IV was a connoisseur of the arts, particularly architecture, has been allowed him by previous biographers, but Smith opens a new window into the king's effect on the nation, finding that his political role had much more significance than has been generally realized. Recommend this biography for its comprehensiveness and professional exactness. Brad Hooper
From Kirkus Reviews
This cautious revisionist history of the youth, regency, and reign of one of the most despised English kings tries to show, in the words of a royal retainer, that George IV's ``abilities were far, very far, above mediocrity.'' The future George IV (17621830) and his siblings were raised in virtual isolation. George, as prince of Wales, angered his father, George III, by falling in with the libertine, high-living, morally dissolute Whigs under Charles James Fox and the duchess of Devonshire. An overdressed, free-spending dandy, the prince cut a swath among fawning actresses and parvenus while running up enormous debts. The prince spent a fortune to transform the run-down Carlton House in London into the gaudiest domicile in the realm. To enjoy his secret marriage to the widowed Mrs. Fitzherbert, a Catholic and commoner, the prince ran up greater debts rebuilding and enlarging the Brighton Pavillion, where he also played soldier with his personal regiment. He agreed to marry Caroline of Brunswicka woman he found so distasteful on their first meeting that he hid his face and demanded a brandyin exchange for his father paying his debts. For the next two decades, from 1811, when the prince assumed control of the throne as regent during his father's final bout of madness, until he died in 1830 after a ten-year reign as George IV, he presided over the most stylish and flamboyant period in British history for the hundred or so aristocrats who could afford it. Smith, the author of four English histories (Wellington and the Arthbutnots, not reviewed, etc.), shows that the king's numerous political enemies used his profligate spending, as well as his cruel treatment of Queen Caroline, to blacken a legacy that also included distinctive buildings and public works, generous sponsorship of the arts and literature, and a taste for lavish display. More a historical summary than a biography, Smith's occasionally tedious if sympathetic account portrays a king's grand indulgences as decorative flourishes of a darker political era. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
See all Editorial Reviews
The latest volume in the estimable Yale English Monarchs series covers the life of George IV, king from 1820 to 1830. Son of the long-ruling George III, from whom the American colonies broke away to eventually form a more perfect union, George IV is understood here as having developed weaknesses of character in direct response to his difficult relationship with his father. But Smith asserts that historians have placed too much emphasis on those weaknesses. As a matter of fact, Smith avers, George IV was not a disastrous king by any means, but one whose accomplishments need to be reconsidered, which he proceeds to do in an orderly and supportable fashion. That George IV was a connoisseur of the arts, particularly architecture, has been allowed him by previous biographers, but Smith opens a new window into the king's effect on the nation, finding that his political role had much more significance than has been generally realized. Recommend this biography for its comprehensiveness and professional exactness. Brad Hooper
From Kirkus Reviews
This cautious revisionist history of the youth, regency, and reign of one of the most despised English kings tries to show, in the words of a royal retainer, that George IV's ``abilities were far, very far, above mediocrity.'' The future George IV (17621830) and his siblings were raised in virtual isolation. George, as prince of Wales, angered his father, George III, by falling in with the libertine, high-living, morally dissolute Whigs under Charles James Fox and the duchess of Devonshire. An overdressed, free-spending dandy, the prince cut a swath among fawning actresses and parvenus while running up enormous debts. The prince spent a fortune to transform the run-down Carlton House in London into the gaudiest domicile in the realm. To enjoy his secret marriage to the widowed Mrs. Fitzherbert, a Catholic and commoner, the prince ran up greater debts rebuilding and enlarging the Brighton Pavillion, where he also played soldier with his personal regiment. He agreed to marry Caroline of Brunswicka woman he found so distasteful on their first meeting that he hid his face and demanded a brandyin exchange for his father paying his debts. For the next two decades, from 1811, when the prince assumed control of the throne as regent during his father's final bout of madness, until he died in 1830 after a ten-year reign as George IV, he presided over the most stylish and flamboyant period in British history for the hundred or so aristocrats who could afford it. Smith, the author of four English histories (Wellington and the Arthbutnots, not reviewed, etc.), shows that the king's numerous political enemies used his profligate spending, as well as his cruel treatment of Queen Caroline, to blacken a legacy that also included distinctive buildings and public works, generous sponsorship of the arts and literature, and a taste for lavish display. More a historical summary than a biography, Smith's occasionally tedious if sympathetic account portrays a king's grand indulgences as decorative flourishes of a darker political era. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
See all Editorial Reviews
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