Royal Art of Benin The Perls Collection (Hardcover)

by Kate Ezra (Author)

Editorial Reviews

From Publishers Weekly
For more than 500 years, the West African kingdom of Benin has produced brass, ivory, wood and terracotta sculpture prized for its naturalism, beauty and technical sophistication. This sumptuous catalogue of an exhibition at New York's Metropolitan Museum of Art reproduces mysterious brass heads of monarchs and queen mothers, palace plaques teeming with relief figures, regal roosters atop ancestral altars, carved ivory tusks and pyramid-shaped bells. Ezra, an associate curator of the museum, makes it clear in her informative text that this art is intimately linked to rituals of divine kingship and religion, as can be seen in complex altar tableaux depicting the king surrounded by courtiers, chiefs and attendants, and in cylindrical wood altars dedicated to the human hand, which is worshipped in the Benin religion. The book also surveys the intricate, luminous ivory sculpture of Owo, a nearby Yoruba kingdom from which Benin's reigning dynasty traces its origins.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal
Benin sculpture--cast bronzes, carved ivory, terracotta, and wood created to glorify a divine king--exerted tremendous influence on early 20th-century Western artists. The splendidly naturalistic heads, plaques, carved tusks, bracelets, and other ceremonial and personal ornaments of Benin (now part of Nigeria) provide an unbroken record of one of West Africa's greatest kingdoms for more than 500 years. This publication coincides with a Metropolitan Museum of Art exhibition celebrating art dealer Klaus G. Perls's 163-piece donation. An introduction gives background on Benin history, art, and culture; expert commentary accompanies the 265 illustrations, grouped according to the objects' type and purpose. A chronology, glossary, bibliography, and maps supplement this authoritative work. Recommended for African art and 20th-century art research collections.
- Russell T. Clement, Brigham Young Univ. Lib., Provo, Ut
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

• Hardcover: 330 pages
• Publisher: Metropolitan Museum of Art (1992)
• Language: English
• ISBN-10: 0300086636
• ISBN-13: 978-0300086638
• Product Dimensions: 11.8 x 8.6 x 1.1 inches
• Shipping Weight: 4.1 pounds
• Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #2,540,989 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Half A Millennium Of Superb Royal Art!, June 21, 2001

By	sherri j. thorne (brooklyn, new york United States) - See all my reviews

This review is from: Royal art of Benin: The Perls collection in the Metropolitan Museum of Art

The Art of Benin first came onto the world stage in 1897, when the British TOOK thousands of art works which were in the Royal Palace. The Royal City of Benin was a JEWEL that was DESTROYED by the British. Many of the pieces went to London. Others were sold. For the very first time westerners saw magnificnet pieces of art executed with great technical sophistication.

The Perls Collection consists of 163 objects, and is considered to be the finest collection of Benin Art in the world. The art reflects the life of the OBA who is the central figure in the kingdom. He rules witth divine right and is believed to have spiritual powers. The art directly reflects this. Among the works found in this catalogue are the heads of the OBA and the Queen Mother, which are executed in both wood and brass. These heads were just some of the items placed on the royal altar. Other items were royal altar tusks which were carved with figures of Kings, Queen Mothers, Priests, warriors and other figures. There are brass figures of court attendants, foreigners & priests. One will also find Altar Tableaus which consists of symmetrical, standing figures. Other objects placed on the Royal Altars were brass bells & rattle-staffs. Another symbol of the court is the brass rooster, which commemorate the Queen Mothers of Benin, ivory containers, And ivory trumpets. At the end of the book is an excellent chapter on the art of the Yoruba Kindoms which were greatly influenced by the Benin court.

I am pleased that this great collection is housed in my home town of New York City, and that the Metropolitan Museum of Art has produced this excellent catalogue!

4.0 out of 5 stars Excellent Book On Cultural Context Of Benin Art, December 22, 2007

By	Herbert H. Highstone (Oakland, CA United States) - See all my reviews (REAL NAME)

This book attempts to explain the form and symbolic content of Benin art in terms of the larger society of Benin and its traditional purposes. The book does not present an encyclopedic picture of Benin history and culture, but it is still extremely enlightening. Printed in Italy on heavy, glossy paper, this heavy, 330-page book is semi-coffee-table in size, measuring 9 by 12 inches. My main disappointment is that most of the illustrations are monochrome, not color. Thus this 1992 book does not have the knock-your-eyes out, National Geographic impact of newer books such as the 2002 "Gold of the Akan from the Glassell Collection" by Doran Ross. But this is only a minor criticism to a very good book.