From Library Journal
If you wonder why people used to dress as they did and how changes in dress relate to broader issues of social history, this is the kind of book you will enjoy. It will also appeal to anyone interested in either the time period covered or the evolution of fashion in general. Many fashion histories are so broad that they fail as anything but catalogs of style changes. This volume, however, captures the reader's interest because it focuses on a relatively narrow time period (1715-89), a coherent locale (Europe), and a small segment of society (the nobility and the wealthy). In addition, it is a readable, thorough, and intelligent treatment of the excessively elaborate style of the day. The author of several books and many articles on the history of dress, Ribeiro (art history, Univ. of London) originally published this book in 1985, and though he did no significant revisions, he corrects some errors of fact and offers many new illustrations and an updated bibliography. Beautifully produced (with about 200 full-page color and black-and-white images) and reasonably priced, this book will appeal to both scholars and casual readers and is recommended for most libraries.
James F. DeRoche, Alexandria, VA Copyright 2002 Reed Business Information, Inc.
Review
'Aileen Ribeiro's study of 18th-century fashion is an excellent account of what it was like to dress before the age of shame, when, as Baudelaire said, women decorated themselves in order to eradicate the traces of original sin.' Anita Brookner, The Sunday Times 'This is an important book, certainly the most scholarly account of eighteenth-century dress ever to have been published.' Celina Fox, Times Literary Supplement '... a pioneering work in analyzing the wider range of dress in the study of the past.' Paul J. Korshin, Journal of Eighteenth-Century Studies 'The author's affection for and understanding of the eighteenth century illuminates this challenging and important book. She argues persuasively for a reassessment of eighteenth-century dress in the widest of contexts.' Valerie Cumming, Costume