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126 of 140 people found the following review helpful:
5.0 out of 5 stars
Ditchkins?, March 29, 2009
Literary critic Terry Eagleton, who is, insofar as I can tell, an atheist himself, nevertheless engages in a nuanced take-down of some of the pretenses associated with contemporary atheism. And he focuses in particular on the two most articulate writers within the neo-atheist movement---Richard Dawkins and Christopher Hitchens. For purposes of convenience (since Dawkins and Hitchens, in numerous instances, offer similar arguments) Eagleton amusingly conflates their names into a singular entity that he calls "Ditchkins."
Eagleton sees the neo-atheist movement as a reaction to the resurgence of Islamic and Christian fundamentalism after 9-11, and he sees that reaction as largely obtuse, both intellectually and psychologically. Eagleton, for example, sees real value in the Bible, and in the story of Jesus in particular, and what it can teach us about life and social change. Eagleton's readings of the Ten Commandments and the story of Jesus were especially dazzling, and illustrated his point that one needn't throw the religious/mythic babies out with the fundamentalist bathwater.
Eagleton is also an unreconstructed Marxist, which I think is a rather dubious intellectual position itself. Nevertheless, it gives him a vantage for making sharp and astute critiques of Ditchkins's complacency with regard to the role that capitalism and Modernism have played in creating a world of religious fundamentalist reactionaries. Eagleton sees fundamentalism as the West's psychological shadow---and points us to Euripides's Bakkhai as a play we would do well to study. In that play, King Pentheus treats Dionysus, who inhabits the borders of his realm, with enormous arrogance and without self-critical awareness, and the result is his own destruction. In this part of the book, Eagleton is rehashing material that he dealt with in more detail in a previous book ("Holy Terror").
Eagleton's book is strongest in its first half. The first chapter was especially thought provoking, for in it Eagleton offered a brilliant aesthetic defense of God's existence that could (almost) make me a believer. Eagleton's argument is a reversal of Liebnitz-like utility, in which God must do everything perfectly---and this must be "the best of all possible worlds." To the contrary, Eagleton suggests that God may have made the universe for a very different purpose. The universe may be (if we are to attribute it to God) a contingent art project, utterly inefficient and without utility---an act of freedom, not necessity. This, of course, has its own problems, but Eagleton has offered a clever retort to traditional theodicy.
Why did Eagleton write this book? If I may engage in a bit of armchair psychoanalysis, I think it is because Eagleton perceives the universal acid of reductionist rationalism heading his way. It's coming after religion now, but it's coming after poetry, literature, and Marxism later. In other words, Eagleton's book is, at one level at least, a battle against an obtuse utilitarianism which sees the price of everything and the value of nothing. I saw Eagleton's (perhaps unconscious) motive leaping from page 34 of his book, in which he wrote: "That a great deal of [religion] is indeed repulsive . . . is not a bone of contention between us. But I speak here partly in defense of my own forebears, against the charge that the creed to which they dedicated their lives is worthless and void."
In some sense, this book is Eagleton (as a Marxist critic) fighting for his own life---defending the importance of nuance and measured judgment against the crassest forms of reductionist cynicism---and making a case for the value of some form of hope for POETIC JUSTICE in the future.
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22 of 22 people found the following review helpful:
5.0 out of 5 stars
A fascinating read if something has been troubling you about Dawkins and Hitchens, June 5, 2009
It's astonishing how many people have reviewed this book thinking that's it's a defense of religion, when Eagleton himself is atheist, or agnostic at best. It indicates that not all of us are reading this book as closely as perhaps we should be. Clearly, quite a few of us are predisposed to take offense on behalf of Dawkins and Hitchens, every time Eagleton flourishes his dry British wit. But this is how the British debate: witheringly and dramatically.
I'm glad someone is pointing out that Dawkins leaps gleefully into a chasm of hypocrisy by attacking religion's crimes (which are many) while obtusely dismissing how science has enabled us to wreak havoc on one another. Eagleton romps from one end of the book to the other, slaughtering sacred cows, and is clearly enjoying himself.
Again, I don't claim to be an expert on textual analysis, but I'm seeing a lot of misfires in the reviews section here. It's a very nuanced style, and sometimes you have to slow down quite a bit to grasp what he's saying. For example, there is not, in fact, any indication that Eagleton thinks Hitchens is a closet Marxist. If anything, Eagleton repeatedly confirms the man's strident and misbegotten *fascism*. Which dovetails into his argument about how Enlightenment values can end up producing the opposite of the intended effect.
Then there's the matter of taking seriously such cast-off, joking comments such as the one he makes about the phases of the moon. For some reason, people are latching on to this as a confirmation of some character flaw. They are elevating it beyond the confines of the statement; erasing the ambiguous humor from the page because a certain interpretation allows them to dismiss more serious statements elsewhere. That's intellectually dissonant.
Basically, the message of the book is this: Dawkins and Hitchens see the debate on religion and secularism in overly broad terms, and their underlying worldview has an inherently *mystical* bias (such as blind faith in the Path of Progress).
You may not agree with it, but I don't see many people on these pages disagreeing with what Eagleton is actually saying. Many of them don't even seem to understand his personal religious disposition. In essence, they're proving his point about obtuse cognitive tunnel vision.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
dissing the "ditchkins", July 1, 2009
The atheists Richard Dawkins and Christopher Hitchens have suffered their share of critical reviews, but perhaps none have been as categorical or vociferous as this one from their fellow Brit Terry Eagleton. By some accounts, Eagleton is the most influential literary critic in Britain; by all accounts he is an unreformed intellectual bad boy, and not only for his Marxist socialism. In the present volume he combines his rapier wit, encyclopedic knowledge, and spirited prose to dismiss the "Ditchkins" as pitiful pikers whose ramblings deserve our disdain.
True, the "Ditchkins" make some good points. But their sloppy thinking, strident language, and dogmatic condescension are warning signs of an atheism bought "on the cheap." Their stock in trade includes vulgar caricatures of religion, an "abysmally crude [and] infantile version of what theology has traditionally maintained," ignorance, cultural supremacism, an "eminently suburban" love affair with the Enlightenment myth of liberal progress, the refusal to acknowledge that religion has done any good anywhere or that science has done any harm, and an either/or mentality that ignores ambiguity. They are defenders of the political status quo, and hardly the revolutionaries they purport to be.
Eagleton was raised as an Irish Roman Catholic in working-class England, and although he has been ambiguous about his own personal faith, he says that one reason he wrote this polemic was to defend the faith of his forbears as something worthy of a defense. Christendom has betrayed the truly revolutionary nature of original Christianity, he says, and so in addition to attacking the secular left he undertakes the Kierkegaardian task of distinguishing between the genuine article and its many counterfeits. The revolutionary gospel does not conform to the geo-political and economic ways of the world and, in the end, "is absurdly, outrageously more hopeful than liberal rationalism" and its myth of progress. "Any preaching of the Gospel which fails to constitute a scandal and affront to the political state is in my view effectively worthless."
Along the way, Eagleton has harsh words for capitalism, which he considers inherently atheistic (as did Karl Barth), postmodernism, Oxford High Table, globalization, the corridors of power in Washington and London, and western civilization's failure to understand and engage Islam in a meaningful way. If you enjoy unapologetic iconoclasm of the highest order, Eagleton makes for a good read. In addition to his forty books, he's scheduled to deliver a single Gifford Lecture in March 2010.
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