From Publishers Weekly
This fourth volume is edited by Simpsons creator and onetime music critic Groening, who writes that he didn't try for any overview of significant trends, but instead "just went for essays jammed with information and conveyed with style, passion and wit." Each of the 21 examples vividly displays those qualities, and there is nary a weak essay (although, once again, writings on country, reggae and classical are sparsely represented). Some of the best include Bill Tuomala's hilarious alternate history of Van Halen, with the rock superstars recast as underground critics' favorites who never achieved success in an era when punk groups like the Ramones were "dominating the charts"; Chuck Klosterman's investigation of the present-day popularity among Mexican-Americans of Morrissey, the sexually ambiguous front man of the mid-1980s British cult band the Smiths; two long pieces from the New Yorker on funk legend James Brown and recently rediscovered bluesman R.L. Burnside; and Elvis Costello's remarkable selections for what he sees as appropriate listening music for every hour of the day, from 6 a.m. to 5 a.m. As in previous collections, satirical writers from the Onion provide criticism masked as comic relief in "37 Record-Store Clerks Feared Dead in Yo La Tengo Concert Disaster" ("It's just a twisted mass of black-frame glasses and ironic Girl Scouts T-shirts in there").
Copyright 2003 Reed Business Information, Inc.
From Booklist
Like its predecessors, this edition of Da Capo's annual includes something from
The Onion ("37 record-store clerks feared dead in Yo La Tengo concert disaster"), pieces by known quantities (Greil Marcus, Chuck Klosterman), and a few surprises. Marcus' disquisition on the world of Walter Mosley's Easy Rawlins and doo wop is, of course, deep. Novelist Jay McInerney offers an evocative portrait of blues throwback R. L. Burnside. Singer-songwriter Elvis Costello charts appropriate musical selections by time of day. And the best of the best, 2003? Quite possibly Philip Gourevitch's "Mr. Brown: On the Road with His Bad Self," about the hardest-working man in show business (James Brown), which catches readers up with the Godfather of Soul; introduces yet another
nom de guerre for the venerable Soul Messiah, "the Napoleon of the Stage"; and peruses Soul Brother #1's relationship with Al Sharpton. Oh, almost forgot: in the introduction, guest editor Groening cites a Don Knotts movie and Frank Zappa in the same paragraph. Neat trick.
Mike TribbyCopyright © American Library Association. All rights reserved
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