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Incandescent prose. Beautifully textured characterisation. Transparent narratives. The adjectives to describe the writing of John Banville are all affirmative, and The Sea is a ringing affirmation of all his best qualities. His publishers are claiming that this novel by the Booker-shortlisted author is his finest yet, and while that claim may have an element of hyperbole, there is no denying that this perfectly balanced book is among the writer’s most accomplished work.
Max Morden has reached a crossroads in his life, and is trying hard to deal with several disturbing things. A recent loss is still taking its toll on him, and a trauma in his past is similarly proving hard to deal with. He decides that he will return to a town on the coast at which he spent a memorable holiday when a boy. His memory of that time devolves on the charismatic Grace family, particularly the seductive twins Myles and Chloe. In a very short time, Max found himself drawn into a strange relationship with them, and pursuant events left their mark on him for the rest of his life. But will he be able to exorcise those memories of the past?
The fashion in which John Banville draws the reader into this hypnotic and disturbing world is non pareil, and the very complex relationships between his brilliantly delineated cast of characters are orchestrated with a master’s skill. As in such books as Shroud and The Book of Evidence, the author eschews the obvious at all times, and the narrative is delivered with subtlety and understatement. The genuine moments of drama, when they do occur, are commensurately more powerful. --Barry Forshaw
From Publishers Weekly
Banville's magnificent new novel, which won this year's Man Booker Prize and is being rushed into print by Knopf, presents a man mourning his wife's recent death—and his blighted life. "The past beats inside me like a second heart," observes Max Morden early on, and his return to the seaside resort where he lost his innocence gradually yields the objects of his nostalgia. Max's thoughts glide swiftly between the events of his wife's final illness and the formative summer, 50 years past, when the Grace family—father, mother and twins Chloe and Myles—lived in a villa in the seaside town where Max and his quarreling parents rented a dismal "chalet." Banville seamlessly juxtaposes Max's youth and age, and each scene is rendered with the intense visual acuity of a photograph ("the mud shone blue as a new bruise"). As in all Banville novels, things are not what they seem. Max's cruelly capricious complicity in the sad history that unfolds, and the facts kept hidden from the reader until the shocking denouement, brilliantly dramatize the unpredictability of life and the incomprehensibility of death. Like the strange high tide that figures into Max's visions and remembrances, this novel sweeps the reader into the inexorable waxing and waning of life. (Nov. 8)
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