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Editorial Reviews
From Publishers Weekly
Ranging in setting from provincial China to downtown Manhattan, the 11 short stories in Egan's first collection trace characters grappling with a wide variety of backgrounds and situations. But whether portraying the ennervated atmosphere of an exotic fashion shoot in Africa ("The Stylist") or a teen's discovery of her father's secret life ("Puerto Vallarta"), Egan's writing is even more assured and convincing than it was in her debut novel, The Invisible Circus. In the chilling "Sacred Heart," about a young girl's obsessive infatuation with her school's premier self-destructive rebel, Egan manages to sustain an atmosphere charged with menace without resorting to predictable shock effects. Many of the tales concern Americans abroad, characters who are disconnected from both their present environments and from the lives they've left behind. This theme finds its most persuasive expression in the dazzling "Why China?" in which a troubled San Francisco financial trader encounters the con man who once cheated him out of $25,000. With remarkable economy, Egan develops an uneasy cat-and-mouse game between the two men, as well as a rare depth of characterization for such a short work. While a smattering of the tales here seem like apprentice work by comparison-the title story, for instance, which concerns a hyper-trendy photographer's assistant in Manhattan-the collection as a whole showcases Egan as a writer of admirable ambition and accomplishment.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Appearing just after the publication of her first novel, The Invisible Circus (LJ 11/15/94), Egan's stories will satisfy many readers. Her protagonists-adult men and women, and adolescents who fight fear, loneliness, boredom, and discontent-could be anyone anywhere. A troubled trader ("Why China?") takes his family to a remote province; a parochial school student ("Sacred Heart") copes with adolescent angst; estranged marital partners ("Passing the Hat") find happiness elusive; models and their photographers ("Emerald City") seek reality in an artificial world. Longing for what they lack in their own lives, Egan's characters witness life evolving around them. Readers will enjoy the author's crisp writing style and the realism of "plain folks" trying to cope with common problems in global settings. Recommended for fiction collections of public libraries.
Ellen R. Cohen, Rockville, Md.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Ranging in setting from provincial China to downtown Manhattan, the 11 short stories in Egan's first collection trace characters grappling with a wide variety of backgrounds and situations. But whether portraying the ennervated atmosphere of an exotic fashion shoot in Africa ("The Stylist") or a teen's discovery of her father's secret life ("Puerto Vallarta"), Egan's writing is even more assured and convincing than it was in her debut novel, The Invisible Circus. In the chilling "Sacred Heart," about a young girl's obsessive infatuation with her school's premier self-destructive rebel, Egan manages to sustain an atmosphere charged with menace without resorting to predictable shock effects. Many of the tales concern Americans abroad, characters who are disconnected from both their present environments and from the lives they've left behind. This theme finds its most persuasive expression in the dazzling "Why China?" in which a troubled San Francisco financial trader encounters the con man who once cheated him out of $25,000. With remarkable economy, Egan develops an uneasy cat-and-mouse game between the two men, as well as a rare depth of characterization for such a short work. While a smattering of the tales here seem like apprentice work by comparison-the title story, for instance, which concerns a hyper-trendy photographer's assistant in Manhattan-the collection as a whole showcases Egan as a writer of admirable ambition and accomplishment.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Appearing just after the publication of her first novel, The Invisible Circus (LJ 11/15/94), Egan's stories will satisfy many readers. Her protagonists-adult men and women, and adolescents who fight fear, loneliness, boredom, and discontent-could be anyone anywhere. A troubled trader ("Why China?") takes his family to a remote province; a parochial school student ("Sacred Heart") copes with adolescent angst; estranged marital partners ("Passing the Hat") find happiness elusive; models and their photographers ("Emerald City") seek reality in an artificial world. Longing for what they lack in their own lives, Egan's characters witness life evolving around them. Readers will enjoy the author's crisp writing style and the realism of "plain folks" trying to cope with common problems in global settings. Recommended for fiction collections of public libraries.
Ellen R. Cohen, Rockville, Md.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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Citations
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7
books
cite this book:
- Tools of the Writer's Craft by Sands Hall on page 201, and Back Matter
- Voices of the X-iled by Michael Wexler on page 195, and Back Matter
- Gargoyle 41 (Gargoyle) by Richard Peabody in