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Kiss & Tell (Paperback)

by Alain de Botton (Author) "When historians come to narrate the second half of the twentieth century, it is unlikely that they will pause for long to consider the arrival..." (more)
Key Phrases: Andrew O'Sullivan, Richard Ellmann, Charlie Brint (more...)
4.2 out of 5 stars See all reviews (13 customer reviews)

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Kiss & Tell + The Romantic Movement: Sex, Shopping, and the Novel + On Love: A Novel
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Editorial Reviews

Amazon.com Review
Alain de Botton has crafted a delightfully ingenious novel in the form of a biography of an unknown woman. Told by a former flame that he lacks empathy, the engaging narrator of Kiss & Tell decides to write a book about the next person he meets. This turns out to be Isabel Rogers, a production assistant at a London stationery company. The sincere effort of this would-be Boswell to make this ordinary woman fascinating cause him to fall in love with her, causing a shift in his writing from an examination of Isabel's life to a minutely-detailed account of his relationship with her. Alain de Botton's earlier work, The Romantic Movement, garnered praise from John Updike and Pico Iyer, who called him "a Stendhal of the 90's dating scene." --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly
"Dental work on," "first kiss" and "new hairstyle" can all be found under the index entries for Isabel Rogers, the charming, unsuspecting subject of this diverting fictional biography. De Botton plays a nimble game, through the eyes and idiosyncrasies of his smart, pretentious narrator. Looking for an opportunity to explore the nature of biography without being overshadowed by his subject, the narrator attaches himself to a woman he thinks will be mundane enough to be fully mastered. To play off the appealing if thoroughly normal Isabel, de Botton (The Romantic Movement) makes his narrator as fastidious as any of Nicholson Baker's and as smarmily self-absorbed as one of Martin Amis's. But the ordinary details of Isabel's ordinary life?she is 28, a production assistant in London?prove more than enough to handle, and the narrator, who likes to quote Dr. Johnson and Richard Ellman, finds that the high-brow rigors of formal biography have to make concessions to the unruliness of lived life. Inevitably in this comic relationship, the narrator digresses too often, experimenting with handwriting analysis, palmistry and psychiatric questionnaires before he realizes that he is missing a very different kind of understanding of Isabel. Deftly, de Botton manages to flesh out the character of Isabel within the parameters of what is?in every sense?his narrator's pseudo-intellectual conceit. In the manner of Carol Shield's The Stone Diaries, photos of "Isabel" and her family add a droll touch.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 272 pages
  • Publisher: Picador (May 15, 1997)
  • Language: English
  • ISBN-10: 0312155611
  • ISBN-13: 978-0312155612
  • Product Dimensions: 8.1 x 5.5 x 0.8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars See all reviews (13 customer reviews)
  • Amazon.com Sales Rank: #109,701 in Books (See Bestsellers in Books)

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    #3 in  Books > Literature & Fiction > Authors, A-Z > ( B ) > Botton, Alain de

Inside This Book (learn more)
First Sentence:
When historians come to narrate the second half of the twentieth century, it is unlikely that they will pause for long to consider the arrival in the world of a blood-clotted four and half pound infant bearing the name of Isabel Jane Rogers, daughter of Lavinia and Christopher Rogers, shortly after midnight on the 24th of January 1968 in University College Hospital, London. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Andrew O'Sullivan, Richard Ellmann, Charlie Brint, Frank Whitford, John Aubrey, London University, Michael Catten, Portland Place, Stuart Wilson, Tim Jencks
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Customer Reviews

13 Reviews
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4 star:
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Average Customer Review
4.2 out of 5 stars (13 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
17 of 19 people found the following review helpful:
5.0 out of 5 stars Another Brilliant de Botton Book, September 9, 1999
By A. Ross (Washington, DC) - See all my reviews
(TOP 100 REVIEWER)    (REAL NAME)      
Outstanding fictional examination of how we perceive each other as humans as well as the art and form of biography. The narrator, derided as being self-absorbed, decides to write a biography of the next person he meets. Thus, we are treated to his attempt to do this with "Isabel", a young London woman he meets at a party. De Botton spins it all with a very light, often comic, touch, and yet manages to raise some fairly deep issues relating to how our perceptions of others are formed and shape our actions. Very good stuff which makes me want to find his other work and read it immediately. Fans of "High Fidelity" will likely find this a slightly higher-brow, but very enjoyable book. See also "On Love" and "The Romantic Movement."
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6 of 6 people found the following review helpful:
4.0 out of 5 stars The dangers of dating a writer/philosopher, December 27, 2002
By Charles S. Houser (Binghamton, NY) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)      
After finishing Alain de Botton's biography/novel KISS AND TELL, I found myself hoping on behalf of its putative subject Isabel Jane Rogers that this work is more fiction than fact. Or at least that "Isabel" is a composite of every young woman the author ever dated and not a real individual person. Although de Botton catalogs many of "Isabel's" quirky habits (her poor sense of geography, the way she picks her nose and chews on the callouses on her fingers, etc.), he exhibits enough of his own dubious traits (for instance, he admits letting her plants die unwatered while devouring half a box of her chocolates while house-sitting for her one time) to give us a sense that in some unprovable way, he is at least playing fair.

But under this delicious patina of pettiness, there are a number of more serious subjects. Such as the nature of biography itself. And whether our versions of ourselves are any more reliable than those of an outside observer. The nature of memory. And a comparison of the virtues and liabilities of the fat, detail-obsessed Boswelian biographies versus the "toast-sized", summary-style biographical sketches of an Aubrey. (Anyone who has read--or tried to write--an obituary for a family member will find the chapter "In Search of an Ending" fascinating.) And anyone who is familiar with de Botton's other works will not be surprised how he manages to draw the likes of Marcel Proust, Adam Smith, Frederick Nietzsche, Tolstoy, and Hippocrates into the conversation, as well as zany bits of pop psychology like graphology, palmistry, and magazine personality questionnaires. To support the trope that KISS AND TELL is a real biography, de Botton even provides a 12-page, fully functioning index (complete with entries on "toenails" and "sex.") As a work of fiction, KISS AND TELL isn't nearly as interesting as his earlier novel, ON LOVE, but it is an amusing book...and it will make you think about your own quirks and self-delusions.

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Amusing breath of air..., May 11, 2002
Okay, I may have not read the *entire* book, but I did read a spectacular passage from "Kiss and Tell" during my AP Literature and Composition exam. It's not often I grin after reading AP test passages. However, that brief excertp from De Bottom's novel had me grinning and absolutely praising whatever AP God had seen fit to bless me w/ such a delightful passage to write about.

I was so intrigued by the passage, I actually decided to buy the book after I was done. (How often does that happen?)

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Most Recent Customer Reviews

2.0 out of 5 stars Stating the obvious
The author proposes to reflect on the subject of biographies. There are some interesting thoughts in this novel, particularly when the author dwells on what a good biography... Read more
Published on November 10, 2006 by Philippe Horak

3.0 out of 5 stars Kiss and Tell? No thrill here...
Some of this book is brillant. De Botton thoughts on memory and how we view relationships can be amazing. He also can be funny. I was impressed with many of his ideas. Read more
Published on April 8, 2003 by Robert Wellen

4.0 out of 5 stars New Take on Biographies
This is a humorous and witty book written from the viewpoint of a biography on someone that is not famous. Read more
Published on May 21, 2001 by Thor Vadir

4.0 out of 5 stars Biography As A Means to Love
First of all, this work of fiction gives off the scent of being fact-based. It is unclear whether this is due to Botton drawing from a wellspring of personal experience - one... Read more
Published on March 20, 2001 by Shadron Sellman

5.0 out of 5 stars Very entertaining and witty
Alain de Botton writes in a most entertaining and witty style and makes for a fantastic reading experience. Read more
Published on February 13, 2000

5.0 out of 5 stars another triumph
This is de Botton's strangest book - half biography, half novel, but it really works. The idea sounds strange, but he pulls it off, managing to write a book that is not only... Read more
Published on January 26, 2000 by Julia Newhouse

4.0 out of 5 stars A Male Version of Bridget Jones
Alain de Botton's narration is intellectually entertaining in this biographical account of a woman he ultimately falls for . . . Read more
Published on May 16, 1999

4.0 out of 5 stars on the nature of biography
This book was a hoot! The premise is that a biographer will write a biography about the next person he meets. Read more
Published on June 21, 1998

5.0 out of 5 stars A very witty and wise book
Most biographies feature people who are famous or notorious, no acquaintance of their biographer, and dead. Read more
Published on March 15, 1997

5.0 out of 5 stars Another excellent de Botton novel
This is de Botton's third novel, and really convinces me that he is one of the best young writers around: fluid, funny, inventive, very human and of great universal appeal. Read more
Published on November 5, 1996

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