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Editorial Reviews
Amazon.com
This masterful follow-up to the 1993 Encyclopedia of Science Fiction is an essential purchase for anyone who's serious about fantasy. Those who are serious about horror will also find it an excellent reference. The works of prolific and confusing authors such as Michael Moorcock, as well as authors such as J. R. R. Tolkien who have many posthumously published fragments, are explained with admirable clarity. Especially fascinating are the numerous terms for motifs and themes, constituting what the editors call a map of the many "fuzzy sets" in the universe of fantasy fiction--terms such as "crosshatch," "polder," and "water margin." There are many entries on horror movies and the better-known horror writers (only writers who write no fantasy, such as Richard Laymon, are excluded). You'll also find carefully written definitions of horror, dark fantasy, supernatural fiction, gothic fiction, psychological thrillers, and weird fiction. Locus calls The Encyclopedia of Fantasy "massive and welcome," and writes, "This will be the standard reference for years to come."
From School Library Journal
Grade 10 Up. A comprehensive resource about fantasy literature and media. Similar in format to The Encyclopedia of Science Fiction (St. Martin's, 1993), it presents a thorough catalog of authors, awards, movies, TV shows, fantastic themes, historical individuals, and articles on the literature of various nations. There are entries on Howard the Duck and Homer, Santa Claus and Silverberg, Garcia Marquez and Germany. Articles are concise, detailed, and clearly written, although the text is sometimes dry. The book's main value is its cross-referencing. An entry about an author highlights themes covered elsewhere in bold face, and vice versa. For example, the definition of Steam Punk as a fantasy sub-genre refers to Alternative Worlds and to the author Tim Powers. By leading browsers from their favorite writer's works to articles about specific thematic elements and then to other authors who write along similar themes, The Encyclopedia serves as an efficient reader's guide to the genre. Unfortunately, specific mythological elements are not as thoroughly covered. Although there are articles on unicorns and dragons in fantastic literature, there is no entry covering griffins. Still, this is a useful reference book.?Lawrence Kapture, New York Public Library
Copyright 1997 Reed Business Information, Inc.
See all Editorial Reviews
This masterful follow-up to the 1993 Encyclopedia of Science Fiction is an essential purchase for anyone who's serious about fantasy. Those who are serious about horror will also find it an excellent reference. The works of prolific and confusing authors such as Michael Moorcock, as well as authors such as J. R. R. Tolkien who have many posthumously published fragments, are explained with admirable clarity. Especially fascinating are the numerous terms for motifs and themes, constituting what the editors call a map of the many "fuzzy sets" in the universe of fantasy fiction--terms such as "crosshatch," "polder," and "water margin." There are many entries on horror movies and the better-known horror writers (only writers who write no fantasy, such as Richard Laymon, are excluded). You'll also find carefully written definitions of horror, dark fantasy, supernatural fiction, gothic fiction, psychological thrillers, and weird fiction. Locus calls The Encyclopedia of Fantasy "massive and welcome," and writes, "This will be the standard reference for years to come."
From School Library Journal
Grade 10 Up. A comprehensive resource about fantasy literature and media. Similar in format to The Encyclopedia of Science Fiction (St. Martin's, 1993), it presents a thorough catalog of authors, awards, movies, TV shows, fantastic themes, historical individuals, and articles on the literature of various nations. There are entries on Howard the Duck and Homer, Santa Claus and Silverberg, Garcia Marquez and Germany. Articles are concise, detailed, and clearly written, although the text is sometimes dry. The book's main value is its cross-referencing. An entry about an author highlights themes covered elsewhere in bold face, and vice versa. For example, the definition of Steam Punk as a fantasy sub-genre refers to Alternative Worlds and to the author Tim Powers. By leading browsers from their favorite writer's works to articles about specific thematic elements and then to other authors who write along similar themes, The Encyclopedia serves as an efficient reader's guide to the genre. Unfortunately, specific mythological elements are not as thoroughly covered. Although there are articles on unicorns and dragons in fantastic literature, there is no entry covering griffins. Still, this is a useful reference book.?Lawrence Kapture, New York Public Library
Copyright 1997 Reed Business Information, Inc.
See all Editorial Reviews
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