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Better Together
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Editorial Reviews
From Booklist
With the convention of finding a diary in an elderly neighbor's attic trunk framing her story, Dallas creates a ripping good read from this fictional journal. Beginning in 1865, a week after her wedding in Fort Madison, Iowa, Mattie Spenser confides to her diary as she and her new husband travel by Conestoga wagon to the Colorado Territories. The building of a sod house; the births and deaths of children; the melting of narrow attitudes toward "loose" women, Indians, and Negroes; and the growth of Mattie as a person are all visible in these pages, full of what seems like genuine details of prairie life. There's enough about her complicated relationship with her husband to satisfy readers longing for romance and resolution. If some of the hooks in the tale, which include wife beating, incest, miscegenation, and adultery, are a bit contrived, the pace is lively and engaging. GraceAnne DeCandido --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
The buoyancy and simple, uncloying sweetness of spirit of Dallas's appealing protagonist--the young wife of a homesteader in Colorado Territory--give a bright, fresh shading to the tragedies and small sharp joys of 19th-century frontier life. Again, as in The Persian Pickle Club (1995), Dallas has caught the lilt and drift of regional speech. At 22, plain Mattie is astounded that handsome Luke Spenser desires to marry her--he has been keeping company with pretty Persia. Nonetheless, he chooses her, and they head out from Iowa in May 1865 to the homestead Luke has already planted in Colorado Territory. There are pleasures along the way: nice folks, and quiet days spent with Luke, her ``Darling Boy.'' But Luke, who doesn't smile at her jokes, works very hard and doesn't like her to flirt with him. As for the marital act: ``I still think it's overrated.'' Danger comes soon enough, and it's Mattie's quick shooting that saves two lives, although she doesn't seriously contradict Luke's dismissive observation that it was a ``lucky shot.'' Once they arrive in Colorado, though, Mattie is disappointed by the homestead (out on the plains, she finds, there is ``too much sky''). Her education in the real travails of people, particularly women, separated from the cushioning platitudes and quick-step judgments of home, begins immediately. A despised ``slattern'' proves herself a true friend; Mattie witnesses women weakened by too many births, another abused and horribly killed, and murder and torture by both whites and Indians. She also experiences wild joy and then tragedy, suffers many dangers, and is rocked by Luke's sudden betrayal. (``How could he ever again be my Darling Boy?'') Yet torment yields to endurance and a kind of compassion. Tragedies and sad little domestic dramas are muffled within the decency and humanity of a character whose understanding--but not essence--changes with events. A modest, appealing novel with a convincing reach into Colorado's plains and skies. (First printing 50,000; first serial to Good Housekeeping; author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
With the convention of finding a diary in an elderly neighbor's attic trunk framing her story, Dallas creates a ripping good read from this fictional journal. Beginning in 1865, a week after her wedding in Fort Madison, Iowa, Mattie Spenser confides to her diary as she and her new husband travel by Conestoga wagon to the Colorado Territories. The building of a sod house; the births and deaths of children; the melting of narrow attitudes toward "loose" women, Indians, and Negroes; and the growth of Mattie as a person are all visible in these pages, full of what seems like genuine details of prairie life. There's enough about her complicated relationship with her husband to satisfy readers longing for romance and resolution. If some of the hooks in the tale, which include wife beating, incest, miscegenation, and adultery, are a bit contrived, the pace is lively and engaging. GraceAnne DeCandido --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
The buoyancy and simple, uncloying sweetness of spirit of Dallas's appealing protagonist--the young wife of a homesteader in Colorado Territory--give a bright, fresh shading to the tragedies and small sharp joys of 19th-century frontier life. Again, as in The Persian Pickle Club (1995), Dallas has caught the lilt and drift of regional speech. At 22, plain Mattie is astounded that handsome Luke Spenser desires to marry her--he has been keeping company with pretty Persia. Nonetheless, he chooses her, and they head out from Iowa in May 1865 to the homestead Luke has already planted in Colorado Territory. There are pleasures along the way: nice folks, and quiet days spent with Luke, her ``Darling Boy.'' But Luke, who doesn't smile at her jokes, works very hard and doesn't like her to flirt with him. As for the marital act: ``I still think it's overrated.'' Danger comes soon enough, and it's Mattie's quick shooting that saves two lives, although she doesn't seriously contradict Luke's dismissive observation that it was a ``lucky shot.'' Once they arrive in Colorado, though, Mattie is disappointed by the homestead (out on the plains, she finds, there is ``too much sky''). Her education in the real travails of people, particularly women, separated from the cushioning platitudes and quick-step judgments of home, begins immediately. A despised ``slattern'' proves herself a true friend; Mattie witnesses women weakened by too many births, another abused and horribly killed, and murder and torture by both whites and Indians. She also experiences wild joy and then tragedy, suffers many dangers, and is rocked by Luke's sudden betrayal. (``How could he ever again be my Darling Boy?'') Yet torment yields to endurance and a kind of compassion. Tragedies and sad little domestic dramas are muffled within the decency and humanity of a character whose understanding--but not essence--changes with events. A modest, appealing novel with a convincing reach into Colorado's plains and skies. (First printing 50,000; first serial to Good Housekeeping; author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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