From Publishers Weekly
This entertaining biography examines the eventful life of singer/guitarist Gram Parsons, who collaborated with the Byrds on the album Sweetheart of the Rodeo , founded the Flying Burrito Brothers with Chris Hillman and worked with country singer Emmylou Harris. Although Parsons achieved only minimal stardom prior to his 1973 drug-related death at age 26, his fusion of country and rock influenced such bands as the Eagles and the Grateful Dead. Fong-Torres ( The Motown Album ) describes the free-spirited, flamboyant musician's privileged but troubled Southern background and interviews individuals including the Byrds' Roger McGuinn, the Rolling Stones' Keith Richards and loyal road manager Phil Kaufman, who, according to Parsons's wishes, attempted--unsuccessfully--to cremate Parsons's body in Joshua Tree National Monument, a park in California. Fong-Torres drops music-biz names and reports on the colorful 1960s and '70s fast lane with finesse; Parsons's profound, continuing impact is felt in admiring testimonies from friends and fans. Photos not seen by PW.
Copyright 1991 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Parsons must receive the lion's share of the credit (or blame) for defining California "country rock." Before his early death in 1973, he recorded with the Byrds, the Flying Burrito Brothers, and as a solo. Although he was not appreciated during his lifetime, his work is now seen as influential. As important as he may have been as an artist, Parsons personally was little more interesting than most other late-1960s burnouts, and his life proves thin stuff for a book-length biography. Fong-Torres, a respected rock music journalist and Rolling Stone alumnus, does his best to fashion a sensational narrative out of Parsons's 27 years, but falls short. His efforts to depict Parsons's early life in the South as a Tennessee Williams-style family drama, for example, is forced at best. Fans will love this book, but it holds little appeal for others. For larger music collections.
- James Stephenson, Soc. of the Cincinnati Lib., Washington, D.C.Copyright 1991 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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