Amazon.com Review
Picking up where his much-praised memoir
The Dark Lady from Belorusse left off, Jerome Charyn continues the story of his childhood adventures in the Bronx. The year is 1949, and 11-year-old "Baby" (the nickname survived the 1947 arrival of younger brother Marve) regularly skips school to sneak off to a local movie theater, the Luxor. He's informally adopted by the theater's three eccentric owners, Bronx natives and classmates at Harvard who dropped out to purchase the Luxor and share a nearby apartment. Two of them pine for their former high school teacher, the married (and alcoholic) Mrs. Green, while the third burns with unrequited passion for a handsome fireman. Next, Baby connects with a local gangster, who sends him out to collect protection money from the area's businesses, ostensibly as payment for cases of celery tonic. The extensive stretches of dialogue are as colorful as the characters, and if it all seems a little too picturesque to be believable, well, the "Note to the Reader" does admit that the people, places, and events depicted "are the product of imaginative recreation." Who cares? Charyn's roistering account brings to life postwar New York City with such vividness and gusto that if it isn't true, it ought to be.
--Wendy Smith
From Publishers Weekly
A phantasmagoric medium by definition, movies appeal to us because they are literal projections of our deepest fantasies and fears, according to film critic and novelist Charyn. In a sequel to his acclaimed memoir, The Dark Lady from Belorusse, the author transports us to his early teen years in the Bronx, when he first discovered his obsession with the movies while seeking refuge from his difficult home life. Charyn's narrative resists the tired convention in which a misunderstood teen finds salvation in a fantasy world; instead, his memories of his early fascination with film unfold as a surreal, funny, often deeply disturbing reverie. Playing hooky from school, Charyn would sneak into the local movie palace to watch Hedy Lamarr and Victor Mature in Samson and Delilah until he met the theater's owners, three draft-evading, possibly gay gangsters who lived in the basement. Charyn regales us with stories about Jewish gangster Meyer Lansky, problems with Charyn's probation officer at school, a gay fireman named Dan O'Brian and the Black Swan, "the most celebrated casino and country club in the Catskill mountains." As the narrator dreamily reenacts plots from 1940s films, these characters and places move in and out of his hallucinatory reminiscences, while Charyn delicately weaves together movies, memories and intensely personal myths to re-create the daring and dangerous realm of his childhood imagination from the vantage point of an adult. (June)
Copyright 2000 Reed Business Information, Inc.
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