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16 of 18 people found the following review helpful:
5.0 out of 5 stars
Vintage Percy, January 29, 2001
This book is a conversation between Lancelot Lamar and Percival. Lancelot, once a member of New Orleans' landed gentry, is now confined to a mental institution. Percival is a priest who went to medical school, and has devoted his life to altruistic endeavors. Lancelot was a "liberal" southern lawyer who validated his existence by working in civil rights litigation before a discovery that changed his life. This discovery causes a great awakening. This theme of awakening is prominent in Percy's works. A character arrives at an existential moment in which he realizes that his life to this point has been as a dream: "Do you know what happened to me during the past twenty years? A gradual, ever so gradual, slipping away of my life into a kind of dream state in which finally I could not be sure that anything was happening at all. Perhaps nothing happened." As Lancelot retraces the events in this monologue, we watch the progress of his mental state, and his weighing of possible world views. His selection of a world view will determine his actions. Another of Walker Percy's major literary themes is captured in an encounter between Lancelot and Elgin, a black MIT student. Lancelot mused, "Unlike him I had been unable to escape into the simple complexities of science. All he had to do was solve the mystery of the universe, which may be difficult but is not as difficult as living an ordinary life." On another level, Lancelot is a southern white who has roiling feelings about women. His struggle to allow women to be sexual creatures is mirrored in his expressed feelings about his mother, then about his wife, Margot. The reader senses a that Lancelot's feelings toward women are a river of ambivalence. Curiously, this is similar to Pat Conroy's characters, whose southern white characters either lust after or endure their mother, depending on the moment. If you like Walker Percy, you'll love this book. I do, and I recommend it.
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