Starting from the perspective of the future of technological innovations such as computers and software, Samuels looks into the past, placing those innovations in historical context and giving life to what is generally considered an esoteric subject. He notes that U.S. copyright laws have been sufficiently flexible and adaptive to accommodate new issues. He examines contemporary issues from the MP3 music-sharing litigation to restrictions on copying video- and audiotapes. The book reads, in part, like a popular commentary on how regular people may be breaking the law. Interestingly, before the U.S. became an exporter of intellectual property after World War II, it was a rogue nation, a pirate of copyrighted work from Europe, primarily Britain. As a leader in technology and commerce, however, the U.S. has been influenced by international copyright standards. Besides the technicalities of varying terms of copyrights--the current term is the life of the author plus 70 years--readers will enjoy learning how copyright applies to pop-cultural products, from movies to musicals to computer software.
Vernon FordCopyright © American Library Association. All rights reserved
Review
"A lively and informed introduction to copyright law,
The Illustrated Story of Copyright is as timely as it is readable." --
Paul Goldstein, Stanford Law School, author of Copyright's Highway"Copyright is often seen as an impediment to personal enjoyment, or as the engine of corporate greed. In this hostile environment, Professor Edward Samuels's
The Illustrated Story of Copyright...is a welcome corrective. Samuels brings to life the inventors, investors, authors and users whose sometimes competing interests shaped the...contours of modern copyright law." --
Jane C. Ginsburg, Morton L. Janklow Professor of Literary and Artistic Property Law, Columbia University School of Law"Not since . . . An Unhurried View of Copyright [1967] has anyone written so lucid and entertaining a book about this . . . subject." --
The Atlantic Monthly (Peter Davison, December 2000)"Readers will enjoy learning how copyright applies to pop-cultural products, from movies to musicals to computer software." --
Booklist (Vernon Ford)"[Prof. Samuels] gives us a lively sampling of both copyright law and copyright lore...With its informal humor, its social history, its non-legal style, and its snappy illustrations, it will place the current controversies over digital technologies in their historic continuum...Absolutely absorbing from cover to cover." --
Ralph Oman, former Register of Copyrights***** stars: [D]ownright fun. . . . Samuels has succeeded wildly. . . . [A] comprehensive book on a substantial topic, . . . both accessible and enjoyable. --
Inscriptions Magazine (Audrey Snowden, April 2001). . . [S]ucceeds brilliantly. . . . [for] a general audience. General practitioners will find demystification, copyright practitioners will find depth. Buy it. --
New York Law Journal (Raymond Dowd, May 25, 2001)