Persian Mirrors: The Elusive Face of Iran by Elaine Sciolino  (47)
$10.20
|
Neither East Nor West: One Woman's Journey Through the Islamic Republic of Iran by Christiane Bird (20)
$17.96
|
Lipstick Jihad: A Memoir of Growing Up Iranian in America and American in Iran by Azadeh Moaveni  (55)
|
Foreigner by Nahid Rachlin  (15)
$10.36
|
The Soul of Iran: A Nation's Journey to Freedom by Afshin Molavi (18)
$14.95
|
This item is not eligible for Amazon Prime, but millions of other items are. Join Amazon Prime today. Already a member? Sign in.
|
|||||||||||||||||
Customers Who Bought This Item Also Bought
Editorial Reviews
Amazon.com
Twenty years after the Iranian revolution, most westerners still imagine Iran to be a warren of anti-American rhetoric, terrorism, and fanatical repression, especially of women. Not surprisingly, only an unusual woman would choose to travel there, and Alison Wearing is certainly that. "I refused to believe that such a place of unalloyed evil truly existed," she writes. "I like to look for saints where there are said to be demons." Since it is the only country the world traveler could not imagine going to alone, she takes her fussy, gay roommate Ian, along with a fake wedding certificate and a story that they're on their honeymoon. Then she dons a black cloak, scarf, and chador (the full body covering required by Shiite Islam) for a five-month journey from the Caspian Sea (breaking into the Shah's ramshackle summer palace) to the holy city of Qom (and Khomeini's shrine) to a hidden Zoroastrian prayer site (where she faints from heat stroke). From the moment she steps into the country, she's surrounded by Iranians touched by her eagerness to learn about their country. There is the housewife who challenges her to a game of Ping-Pong in her long robe and scarf, offering food to her guests in between killer serves, and the Anglican minister who is "wholly enthralled by the art of living." There is the couple who spirit her away to a mountain oasis when she complains of the heat (leaving a message for Ian, "Mister Canada, we take your wife. We make her cold"), and the mother who tries to marry off her doctor son, joking that Wearing can't leave "not without my doctor" (a reference to the American film Not Without My Daughter).
Twenty years after the Iranian revolution, most westerners still imagine Iran to be a warren of anti-American rhetoric, terrorism, and fanatical repression, especially of women. Not surprisingly, only an unusual woman would choose to travel there, and Alison Wearing is certainly that. "I refused to believe that such a place of unalloyed evil truly existed," she writes. "I like to look for saints where there are said to be demons." Since it is the only country the world traveler could not imagine going to alone, she takes her fussy, gay roommate Ian, along with a fake wedding certificate and a story that they're on their honeymoon. Then she dons a black cloak, scarf, and chador (the full body covering required by Shiite Islam) for a five-month journey from the Caspian Sea (breaking into the Shah's ramshackle summer palace) to the holy city of Qom (and Khomeini's shrine) to a hidden Zoroastrian prayer site (where she faints from heat stroke). From the moment she steps into the country, she's surrounded by Iranians touched by her eagerness to learn about their country. There is the housewife who challenges her to a game of Ping-Pong in her long robe and scarf, offering food to her guests in between killer serves, and the Anglican minister who is "wholly enthralled by the art of living." There is the couple who spirit her away to a mountain oasis when she complains of the heat (leaving a message for Ian, "Mister Canada, we take your wife. We make her cold"), and the mother who tries to marry off her doctor son, joking that Wearing can't leave "not without my doctor" (a reference to the American film Not Without My Daughter).
Wearing has a gift for connecting with others and the humility to let them tell their own stories. She also sees the hilarity in the most absurd situations. As it turns out, so do the Iranians, which makes for some wonderful laughs. Wearing is also a poet, and she unveils the Iranians with innocence and grace--their hospitality, their quick acceptance and easy intimacy, and the real life of women beneath the veil. And while there are strict defenders of the revolution, most are philosophical: "Friends, please forgive us, but our country is not perfect.... it will make us very happy if you enjoy. Keep your hearts in our people, my friends. We are strangers, but we try to be kind." This is a gem of a debut. --Lesley Reed
From Publishers Weekly
To blend in on their recent visit to Iran, journalist Wearing and her gay roommate pose as a married couple, complete with wedding rings and a forged marriage certificate. Wearing also purchases a chaador (literally "tent"), made of heavy black polyester, which she wears throughout her journeyD110-degree heat notwithstanding. From that point forward, the friends can't go anywhere without receiving copious offers of gifts, dinners, invitations into people's homes, free taxi rides and fruit from Iranians who are delighted by the Westerners' attempt to understand and appreciate their customs. The characters Wearing meets are extraordinary in their ordinariness, and the author deftly shows that our opinion of the Middle East is really our opinion of Middle Eastern government. She seeks out the most intriguing of the people around her, then steps back and lets them take center stage. Tip, for instance, spent 12 years in California. Now in his early 20s, he's been stuck in Iran doing odd jobs for three dollars a day, so to save money he started a side business selling opium. Another Iranian they meet, deeply religious, explains to them why Iran is superior to the West, while other Iranians apologize profusely for the conditions of their country since the fall of the Shah 20 years ago. Wearing lets readers glimpse the anti-Americanism, oppression and miserably inefficient bureaucracy portrayed in the American news, but again and again she demonstrates the generosity of the Iranians. With this engrossing account, Wearing casts a sympathetic eye on the real people of Iran, so often invisible to the West. (Nov.)
Copyright 2000 Reed Business Information, Inc.
See all Editorial Reviews
Product Details
|
