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33 of 33 people found the following review helpful:
5.0 out of 5 stars
Much more than a police procedural, August 17, 2000
In modern British fiction writing much of the interesting work (engaging with social issues, politics, and class) is found with genre writers. As some novelists retreat into an insular examination of the lives and loves of writers (and other creative types), genre writers - in dealing with the underside of humanity - can examine the big questions. At the vanguard of modern British crime writing are the likes of Ruth Rendell, Denise Mina, John Harvey, Michael Dibdin, and the writer of the book under review, Val McDermid. McDermid is an interesting writer. Her previous books have included a PI series, and pyschological thrillers that geuninely shock (such as The Mermaids Singing). This book, A Place of Execution, is something of a departure. It falls readily into two principal parts. The first section comprises a police procedural. It is set at the time of the notorious Moors Murders in 1963 (what is it with British writers and 1963? John Lawton's A Little White Death and Reginald Hill's Recalled to Life, also use the year as a starting point). The Moors Murders were child killings that horrified British society and still have an effect today. As the novel opens a child goes missing in a small isolated village. The child is the step daughter of the local squire. A new police inspector is involved, and this first section follows his investigation. It is written in the third person, but the chief protagonist is the inspector and we follow his attempts to win the trust of the small community, and the police politics that is played out in the background. One does not wish to give too much away about the investigation, as there are a number of twists throughout this section. But the section concludes with a trial at which the inspector's own character and motivation is questioned. McDermid excels at the portrayal of the effect of the loss of a child on a family and on a community. Also convincing are the relationships McDermid draws. The developing friendship between the investigating police sergeant, and the recently graduated inspector; the close relationship between the inspector and his wife (a peripheral character in the novel, but a convincing anchor of stability in his personal life); and the manner in which he wins the trust of local people. There are some grotesque local characters created; but coming from a small locality myself these characters are not out of place, and are only symptomatic of a general approach to non-locals. The class distinction between the squire and the villagers is also acutely observed. If the novel were to stop at the conclusion of the trial there would be a highly satisfying genre procedural. However, it is with an audacious second half that McDermid excels. It transpires that the first half is a memoir written by a journalist. The inspector then tries to block publication. In this section we follow the professional writer researching, gathering information, and examining an incident from over thirty years before. Many of the characters in the first half are revisited, older, and with prejudices reinforced, or challenged by their own experiences. Character development is wonderful , and the investigation becomes a gripping thriller. In this section McDermid turns all that you have accepted in the first half on its head. This is an excellent novel. Its characterisation is, without exception, of the highest quality; and it is strongly plotted. Its sole flaw, to my mind, is the conclusion. It is bold, but not wholly convincing. However, for me, its merits outweigh this. This is compelling, and looks at the extremes of love and loss. I cannot recommend it highly enough. If you enjoy this book I would suggest you try On Beulah Height by Reginald Hill, which has similar virtues, and is as well written.
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