Amazon.com Review
Sometimes things don't exactly work out. Schemes collapse, experiments fail, luck runs out, or times and tastes simply change. It's a cliché that history is written by winners--but it's important to remember that it's usually written
about winners, too. Paul Collins changes that, highlighting the failures, the frauds, and the forgotten in
Banvard's Folly.
Most of Collins's starts were famous--or infamous--in their own time. For example, William Henry Ireland forged dozens of documents "by Shakespeare," including the play Vortigern, but was found out by his overenthusiastic use of "Ye Olde Sppellingge." (Oddly enough, William's father refused to believe his son was responsible even after William confessed; William was widely held to have been too stupid to have written such impressive forgeries.) Then there's respected scientist René Blondlot, who fooled himself--as well as most of the scientific community--into believing he had discovered a remarkable new form of radiation, which he named N-Rays. In reality, they were only an optical trick of peripheral vision. The book's namesake, John Banvard, amassed a fortune from his celebrated "Three Mile Painting"--a huge panoramic rendering of the Mississippi River--and then lost his fortune in an unsuccessful attempt to compete with master advertiser and showman P.T. Barnum.
Collins describes these and several other "nobodies and once-were-somebodies" in chatty, often tongue-in-cheek prose (in recounting the story of Jean François Sudre and his musical language, Collins notes "obsessive fans who hear already secret messages in music would not do their mental stability any favors by learning Solresol"). He also includes a handy "for further reading" section, should you have the desire to learn more about, for example, Symmes's theory of concentric spheres, grape propagation, or the medical benefits of blue glass. Funny, thought provoking, and sometimes poignant, Banvard's Folly helps to rescue these lost souls from the ash heap of history. Very highly recommended. --Sunny Delaney
From Publishers Weekly
In this collection, first-time author Collins resurrects from the junk heap of obscurity 13 figures who earned considerable fame and notoriety during their lifetimes. For example, we meet a 19th-century plagiarist so talented he managed to convince the world, not to mention London theater society, of the "discovery" of documents, even plays, penned by Shakespeare. Then there are the inventor of a universal language based on music, the champion of the pneumatic subway system and the father of the Concord grape. Some were crackpots, some were charlatans, some were genuine talents, but almost all of them were forgotten, their endeavors trampled under the heels of time. But these men (and one woman) are a far cry from overlooked Van Goghs or even subjects worthy of an Errol Morris documentary. Collins, a fluent writer who debuted several of these profiles in McSweeney's online journal, fails to make his characters entirely sympathetic or worthy of our attention. Thus we are left with their quirky achievements, or non-achievements as the case may be. And with a pace bogged down in excessive sourcing (as in "A.J. Pleasonton's Blue Light Special") and prose sometimes hard to access, readers may soon find themselves wondering whether these people are worth the rescue. Collins suggests that many of his innovators fell prey to a savage national character trait. He writes, "the only real sin in America is failure. The man or woman of promise who has nothing but excuses to offer at the end of the day these people we do worse than despise. We avert our gaze and excuse ourselves from their presence." Arguable points certainly, but far from absolutes upon which to compose a paean. While Collins's research is commendable and his passion sincere, this admittedly noble effort feels shy of maturation. The association with McSweeney's (read: Dave Eggers) is fertile soil indeed, and one can only hope Collins's next project bears sweeter fruit.
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