Most Helpful Customer Reviews
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16 of 18 people found the following review helpful:
5.0 out of 5 stars
Remember High School?, May 29, 2002
By A Customer
Unfortunately, most of the people in Jane Haddam's new book do - all too well. Gregor Demarkian must leave Cavanaugh Street in Philadelphia for a small country town in the Pennsylvania hills (cell phones don't work there because of the mountains). Although 30 years has passed since Betsy Toliver was locked in an outhouse with snakes, neither she nor the perpetrators of this indignity have forgetten - or forgiven. Jane Haddam creates a world of adolescence never outgrown that quite frankly gave me the creeps. The psychological horror unfolds page by page and just when you think you realize what's going on, the plot takes another twist. I loved seeing Demarkian so out of his element. I would have liked more of Bennis, though.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Outstanding., June 24, 2002
I'm not sure how long Jane Haddam can continue surpassing herself, but she's done it this time. I was convinced that True Believers was her best, but then I read Somebody Else's Music.Gregor Demarkian is pulled into a 30-year old murder by an acquaintance of Bennis'. What he discovers is that the murder, and the other events of the evening when it occurred, still color current events and everyday life for those who were involved. Liz Toliver, the acquaintance, is going back to her hometown after a 30-year absence to take care of her aging mother. It seems that her schoolmates from all those years ago have been awaiting her reappearance, and it's clear that for quite a few of them, high school never really ended. High school is a strange phenomenon in the US, and Somebody Else's Music brings us inside that strangeness, and lets us see just how devastating it can be for some students. The way the murders play out, and the way the interactions between the characters play out, are rooted in their high school behavior, 32 years later. The characters are real and precisely drawn, and when, finally, Liz Toliver overcomes her past and decides to live NOW, it was all I could do not to stand up and cheer. If you're interested in reading an excellent mystery, beautifully written, read Somebody Else's Music. If you want to read a character study about a woman coming to terms with her past and rising above it, read Somebody Else's Music. And if you want to read what is, after all, an indictment of the foolishness that we Americans indulge ourselves in in high school, read Somebody Else's Music. It's all those things.
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4 of 5 people found the following review helpful:
4.0 out of 5 stars
Stylish and wicked, November 3, 2004
Successful writer and CNN celebrity Liz Toliver has never really gotten over her traumatic high school days as "Betsy Wetsy," the bookish, socially awkward butt of an almost over-the-top collection of nasty "popular" girls. This experience peaked during a bizarre night when Liz was nailed into a park outhouse with 22 snakes (she was well known to be phobic) while a classmate was murdered nearby. Now made even more famous by her coupling with a heart-throb rock star, Liz has to go "home" after 30 years to attend to her ill mother, dogged by the tabloid press which has her pegged for the killing.
Enter Haddam's Armenian-American veteran sleuth, Gregor Demarkian, retired chief of the FBI's behavioral science unit, hired by Liz's famous fiancé to look into the old, unsolved murder. The story shifts point of view among all these characters and only a writer of Haddam's wit and skill ("True Believers," "Skeleton Key") could carry off a story with such relentless venal and despicable types at its core - the brainless prom queen turned balding grotesque, the vindictive Machiavellian ring leader mired in sour alcoholism, the likely-to-succeed girl turned principal from hell, the faithful battered wife, the fat lady and the girl who got everything she wanted.
Demarkian, a confirmed city person whose ethnic experience leaves him baffled and bemused by the insidious small-town mindset, gives the story perspective and Liz, whose success has not relieved her myriad vulnerabilities and insecurities, gives it heart. Haddam's exploration of a cultural subset which finds its peak in high school triumphs is fiendishly believable and the resolution is aptly horrifying. A stylish and wicked success.
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