The Plot Thickens: 8 Ways to Bring Fiction to Life (Hardcover)

by Noah T. Lukeman (Author) "The word "plot" can cause a great deal of trepidation in writers..." (more)
Key Phrases: Applied Characterization, Heart of Darkness, The Godfather (more...)

Editorial Reviews

From Publishers Weekly
Lukeman's second book on writing after 2000's The First Five Pages (a third volume on dialogue is still to come) discusses the craft of writing well-plotted fiction. Lukeman, a literary agent, rallies against the lazy and mundane that cross his desk in the form of 50,000 manuscripts submitted in the last five years. Initially, at least, he is less concerned with artfulness than the simple need to make the book compelling beyond the first few pages. He asserts that the foundation (and often the first casualty) of a book is character, and accordingly, Lukeman dedicates the first two chapters to an exhaustive list of questions a writer should ask about the "outer" and "inner" life of each character. He encourages a Dr. Frankenstein-like approach to creating realistic fictional characters: devising them with the intention of bending them to the writer's own will, but at the same time investing them with enough life that they are capable of making their own way in the world and ultimately surprising their creator. A third chapter called "Applied Characterization" discusses how to use this knowledge to form a plot. The remaining five chapters cover different aspects of plotting: "The Journey," "Suspense," "Conflict," "Context" and "Transcendency." Lukeman's advice is practical and often entails multiple, time-consuming steps without a hint of the flakiness that creeps into many writing guides. The closest he ever gets to sounding like a guru is when he sagely stresses, "Real life is the best teacher." Though Lukeman works with books, he wisely asserts that the observations in this volume are applicable to all types of imaginary writing, from film to poetry. Indeed, it is a worthy addition to any narrative writer's reference shelf.
Copyright 2002 Cahners Business Information, Inc.

From Booklist
In this follow-up to the author's successful First Five Pages (2000), literary agent Lukeman focuses on the mechanics of storytelling. He introduces budding writers to the techniques of characterization (ask yourself questions about the people you've created), the various ways of generating suspense (danger, a ticking clock), and the importance of conflict. He writes from experience: he's read, he tells us, more than 50,000 manuscripts in the past half decade. Curiously, he mostly uses movies to illustrate his points, on the assumption that more of his readers will recognize his references that way. (This premise--that would-be writers won't be familiar with literary references--may strike some as slightly insulting, unintentional though it may be.) All in all, though, this is a crisply written, nicely detailed examination of the art of storytelling. Beginning writers will find plenty of practical tips and useful advice in its pages. David Pitt
Copyright © American Library Association. All rights reserved

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Product Details

• Hardcover: 192 pages
• Publisher: St. Martin's Press; 1 edition (July 5, 2002)
• Language: English
• ISBN-10: 0312284675
• ISBN-13: 978-0312284671
• Product Dimensions: 7.1 x 5.1 x 1 inches
• Shipping Weight: 10.4 ounces
• Average Customer Review: 4.2 out of 5 stars See all reviews (33 customer reviews)
• Amazon.com Sales Rank: #947,857 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

129 of 137 people found the following review helpful:

5.0 out of 5 stars Far more than a writer's tool..., September 2, 2002

By	Victoria Tarrani "writer, editor, artist, des... (Betwixt FL and CA, USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

How does a writer turn an idea into a plot? How many brilliant flashes of inspiration lead to books, movies, or plays? Not many because ideas wither away without great characters and events that drive the story forward. Although this book is plot development, Noah Lukeman addresses the threads that are woven throughout the story in order to create the fabric from which beautiful, lasting images are created.

He uses many examples from film because this is the media where life is visualized for the audience, and his "chief concern is illustrating (sometimes abstract) points." (Lukeman)
An example:
* A young man is unhappy and feels trapped in his rural life.
* He hungers for adventure.
* He is inducted into thrilling adventures by chance.
* He is part of a mystical adventure, for which he is unprepared.
* Circumstances force him to face his inadequacies.
* He gains friends and companions along the way.
* Ultimately he finds the confidence he needs to succeed.
* He saves the realm.
The ideas belongs to many stories from Lord of the Rings to Harry Potter to Star Wars, and more. The magic of each story is wrapped into the characters and the lives they live; they are real.

Each chapter and the introduction are deeper than I can show in a review. The book should be on every writer's desk.

Both chapters one (Characterization: The Outer Life) and two (Characterization: The Inner Life) are 90 percent questions. I decided that a great addition to the book would be a CD listing of all of the questions. However, as I read and contemplated the details a writer must know about the people who live in their stories, I realized that a CD would make it too easy. By taking time to write the questions and answer them, they become part of a writer's arsenal. Even more significant is the gathered information can generate ideas to carry the story forward and create new plots.

Chapter Three -- Applied Characterization discusses whether the character is major or minor, the frequency s/he appears, entrances and exits, and more. "Plot does not magically appear with the creation of a character; Frankenstein's monster might open his eyes, but until he gets up from the table and does something, there is little basis for a plot." (NL) Think of Dr. Jekyl and Mr. Hyde -- if the elixir he drank had killed him there would be no story, yet if it was murder mystery a or ghost story the death is instrumental to the plot.

Chapter Four -- The Journey takes us on an emotional or mental experience (not necessarily a trip) that brings about change. Simple and familiar examples are Star Wars, Saving Private Ryan, The Bourne Identity, Speed, Cujo, Carrie, etc.

Chapter Five -- Suspense, "more than any other element, affects the immediate, short-term experience of the work." (NL) What is the destination, why is it significant, and what obstacles stand in the way? In The Lord of the Rings, if the dark riders killed the young hero Frodo, then there would be no story. The suspense is heightened because we know the ring has been awakened, it is calling to its dark master, and Frodo (and anyone near him) is in grave danger. This is how J.R.R. Tolkien created the roller coaster. A great writer constantly raises the stakes and provides some relief between encounters.

Chapter Six -- Conflict causes changes; they can be obvious (court, sports, or battle scenes, etc.) or subtle, such as Sandra Bullock's role in Miss Congeniality: Gracie Hart must become Gracie Lou Freebush, a beauty queen. No matter what the conflict is, it must exist on multiple levels because people, therefore characters, are complex. One single conflict is not enough to propel a plot.

Chapter Seven -- Context "influences suspense, conflict, pacing, progression, and ultimately meaning." (NL) A writer or editor must keep the entire work in mind, and gauge the overall impression of each element in the creation of the story -- does it work? Judging repetition of information is one of the important steps. The keys in a murder mystery may be listed for analysis, but repeating the scenes can be disastrous and boring, yet might be necessary to solve the case. The obscure repetition of inferred information can also be deadly.

Chapter Eight -- Transcendency taps "...into the universal, timeless truths and facets of the human condition." (NL) The examples are clear and powerful.

The Plot Thickens: 8 Ways to Bring Fiction to Life is profound, and as I read, I applied much of the information to my own life -- in the end, I am richer than I was before I opened the first page. The highest compliment I can give to a book is that it made a difference to me.

Noah Lukeman's books should be required reading. Without doubt, this is five-star book for everyone.

Victoria Tarrani

40 of 41 people found the following review helpful:

5.0 out of 5 stars Fantastic guide to character and plot development, November 26, 2003

By	shaw6 (Sydney, NSW Australia) - See all my reviews

This review is from: The Plot Thickens: 8 Ways to Bring Fiction to Life (Paperback)

This should be on every writer's bookshelf. Noah Lukeman writes as though he's an ancient finger-wagging English teacher, so I was surprised to see the bookflap photo and find he's quite young.

Overlook the slightly disapproving tone, because the book is a gem. Few books are able to distil so much knowledge into such a short space.

Detailed character-building exercises take up a large chunk of the book, because Lukeman firmly believes that character is the plot. He doesn't just work through appearance and background, though he does this in detail. He also covers which characters to put together, major and minor characters, how often they should appear, who they should interact with and when, what they react to, etc.

Next he explains the different types of journey your characters can be on and how that affects the story, how to build suspense and develop conflict.

Each chapter has suggested exercises to practice what you've learned.

This deserves to be a classic.

42 of 45 people found the following review helpful:

5.0 out of 5 stars A Good Addition to the Literature, July 1, 2002

By	G. Miki Hayden (NYC, NY United States) - See all my reviews

New writers do need advice about writing, the market, and structure. This is a shortcut to years spent cruising the learning curve. Noah's book is a nice addition to the books that serve the novice writer. G. Miki Hayden, author of Writing the Mystery, an Agatha and Macavity nominee.