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Better Together
Editorial Reviews
From Publishers Weekly
The Minotaur, the half-man, half-bull supposedly slain by Theseus in the labyrinth, is actually working as a cook at Grub's Rib in a small town in North Carolina. Or so Sherrill conjectures in his clever debut novel, which thrusts the fabulous beast into the kitchen sink realism of 1990s America. In Sherrill's bold imagination, the Minotaur is no longer angry or ferocious, having been worn down by 3,000 years of history. Although people are often startled by his horns, the blue-collar world in which he now exists quickly adjusts to his presence. Sweeny, the owner of the Lucky-U trailer park where the Minotaur lives, employs him part-time to repair cars. The Minotaur spends his free hours watching his neighbors, among whom are an amateur muscle freak, Hank, and his sexy wife, Josie. At the restaurant, the other employees accept the Minotaur as he is, except for Shane and Mike, a duo of obnoxious young waiters who also razz David, the restaurant manager, for being gay. The Minotaur is sometimes hindered physically in the human world; his eyes, for example, are separated so broadly by his snout that he has to cock his head to one side to really look at something. Sherrill also insinuates other mythological beasts--the Hermaphroditus, the Medusa--into the story, suggesting how the Southern landscape is shadowed by these myths. The plot centers around the Minotaur's feelings for Kelly, a waitress who is prone to epileptic fits. Does she reciprocate his affections? As the reader might expect, the course of interspecies love never does run smooth. Sherrill's narrative, with its dreamlike pace, shows myth coexisting with reality as naturally as it does in ancient epic. (Mar.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From Library Journal
The Minotaur, having endured 5000 years of immortality, is currently living in a trailer park in the Deep South, working as a line cook in a restaurant. His appearance is more monstrous than his behavior, which is more humane than that of most of his co-workers. Coping within the limitations imposed on his existence--horns that are deadly, inarticulateness, a disproportionate body ill-adapted for clothes--the Minotaur has learned to sew and become an expert auto mechanic and a superb cook. It is dealing with people that poses the greatest difficulties. When love becomes a possibility, he must negotiate a path, threatened by the malevolence of the restaurant waiters and supported by the kindness of his landlord and friends. First novelist Sherrill skillfully creates a world in which the reader is more than willing to suspend disbelief to see the man in the monster and the monstrous in all of us. Recommended for larger public libraries and academic fiction collections.
-Andrea Caron Kempf, Johnson Cty. Community Coll. Lib., Overland Park, KS
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
See all Editorial Reviews
The Minotaur, the half-man, half-bull supposedly slain by Theseus in the labyrinth, is actually working as a cook at Grub's Rib in a small town in North Carolina. Or so Sherrill conjectures in his clever debut novel, which thrusts the fabulous beast into the kitchen sink realism of 1990s America. In Sherrill's bold imagination, the Minotaur is no longer angry or ferocious, having been worn down by 3,000 years of history. Although people are often startled by his horns, the blue-collar world in which he now exists quickly adjusts to his presence. Sweeny, the owner of the Lucky-U trailer park where the Minotaur lives, employs him part-time to repair cars. The Minotaur spends his free hours watching his neighbors, among whom are an amateur muscle freak, Hank, and his sexy wife, Josie. At the restaurant, the other employees accept the Minotaur as he is, except for Shane and Mike, a duo of obnoxious young waiters who also razz David, the restaurant manager, for being gay. The Minotaur is sometimes hindered physically in the human world; his eyes, for example, are separated so broadly by his snout that he has to cock his head to one side to really look at something. Sherrill also insinuates other mythological beasts--the Hermaphroditus, the Medusa--into the story, suggesting how the Southern landscape is shadowed by these myths. The plot centers around the Minotaur's feelings for Kelly, a waitress who is prone to epileptic fits. Does she reciprocate his affections? As the reader might expect, the course of interspecies love never does run smooth. Sherrill's narrative, with its dreamlike pace, shows myth coexisting with reality as naturally as it does in ancient epic. (Mar.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From Library Journal
The Minotaur, having endured 5000 years of immortality, is currently living in a trailer park in the Deep South, working as a line cook in a restaurant. His appearance is more monstrous than his behavior, which is more humane than that of most of his co-workers. Coping within the limitations imposed on his existence--horns that are deadly, inarticulateness, a disproportionate body ill-adapted for clothes--the Minotaur has learned to sew and become an expert auto mechanic and a superb cook. It is dealing with people that poses the greatest difficulties. When love becomes a possibility, he must negotiate a path, threatened by the malevolence of the restaurant waiters and supported by the kindness of his landlord and friends. First novelist Sherrill skillfully creates a world in which the reader is more than willing to suspend disbelief to see the man in the monster and the monstrous in all of us. Recommended for larger public libraries and academic fiction collections.
-Andrea Caron Kempf, Johnson Cty. Community Coll. Lib., Overland Park, KS
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
See all Editorial Reviews
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