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by Alisa Valdes-Rodriguez
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by Alisa Valdes-Rodriguez
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by Alisa Valdes-Rodriguez
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by Alisa Valdes-Rodriguez
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by Mary Castillo
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The novel works because Valdes-Rodriguez has compassion for her characters; each is faulted, but none is culpable. She also has an eye for the telling detail, as when Rebecca tries to befriend her white husband's stuffy family: "His sister took step classes with me and we shopped for clothes together on Newbury Street and went to the Isabella Stuart Gardner Museum one afternoon with Au Bon Pain sandwiches in our handbags." Something about those sandwiches makes the whole enterprise seem more poignant. On the down side, Valdes-Rodriguez is so eager to make things work out for her ladies, her writing sometimes beggars belief. Men actually say things like "Swear to me you're happily married, and I'll stop pursuing you." Yes, Alisa Valdes-Rodriguez is, in fact, the Latina Terry McMillan. That is, if McMillan were a slighty guiltier pleasure. --Claire Dederer --This text refers to an out of print or unavailable edition of this title.
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