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Better Together
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Editorial Reviews
From Publishers Weekly
Although at least four full-length biographies have been written about Mae West since her death at 87 in 1980, Louvish (Man on the Flying Trapeze) is the first biographer to have access to the recently opened archive of West memorabilia including a 2,000-page collection of quips and jokes and the numerous revisions of the 12 plays, eight screenplays and three novels she wrote. West created and perfected her languid sex goddess persona during years in vaudeville and by serving as her own playwright, but Louvish discovers West's secret life was filled not with lovers but long nights of polishing and refining her scripts. She was almost 40 when she made her first film, but two years later, she was the highest paid performer in the U.S. Louvish's bio is appreciative and extensively detailed, focusing on West as writer. It can sometimes feel plodding as he transcribes skits and routines (although most still sparkle seven decades later, like "I used to be Snow White, but I drifted"). Summing up West's final three decades in a mere 50 pages feels rushed. But Louvish's research cements West's reputation as the definitive siren of suggestion, without whom there would never have been any Sex & the City. Photos. (Nov. 21)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
(PW PUblishers Weekly )
See all Editorial Reviews
Although at least four full-length biographies have been written about Mae West since her death at 87 in 1980, Louvish (Man on the Flying Trapeze) is the first biographer to have access to the recently opened archive of West memorabilia including a 2,000-page collection of quips and jokes and the numerous revisions of the 12 plays, eight screenplays and three novels she wrote. West created and perfected her languid sex goddess persona during years in vaudeville and by serving as her own playwright, but Louvish discovers West's secret life was filled not with lovers but long nights of polishing and refining her scripts. She was almost 40 when she made her first film, but two years later, she was the highest paid performer in the U.S. Louvish's bio is appreciative and extensively detailed, focusing on West as writer. It can sometimes feel plodding as he transcribes skits and routines (although most still sparkle seven decades later, like "I used to be Snow White, but I drifted"). Summing up West's final three decades in a mere 50 pages feels rushed. But Louvish's research cements West's reputation as the definitive siren of suggestion, without whom there would never have been any Sex & the City. Photos. (Nov. 21)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
Praise for Mae West
“Meticulously researched and finely crafted. Theatrical and cinematic history are skillfully related to the wider social and political background.”
---The Independent (UK)
“This is the fifth of Louvish’s scrupulously researched studies of celebrated comic figures. . . . As with its predecessors, the style is jaunty, and as all of its subjects are wreathed in myth, often of their own creation, he takes great pleasure in laying out and sifting the conflicting evidence on the page.”
---Observer (UK)
“If you appreciate a wealth of facts delivered in a straightforward, readable style . . . then Louvish’s book will delight you.”
---Scotland on Sunday
Praise for Stan and Ollie
“Lovingly researched.”
---Daily News
“Louvish is at his best in discussing how Laurel and Hardy, unlike most of the great silent-film comedians, had no trouble making the transition to sound.”
---The New York Times
“Louvish’s wide-eyed love for his subjects’ simple, forthright, and hardworking desire to please will bring down the house.”
---Kirkus Reviews (starred)
“Thanks to a lively, affectionate writer, we can glimpse the great clowns at work.”
---Dallas Morning News
“Brims with affection and still preserves an honest, unbiased view of their creativity and personal traumas.”
---Publishers Weekly
“This definitive treatment is recommended.”
---Library Journal (starred)
“Meticulously researched and finely crafted. Theatrical and cinematic history are skillfully related to the wider social and political background.”
---The Independent (UK)
“This is the fifth of Louvish’s scrupulously researched studies of celebrated comic figures. . . . As with its predecessors, the style is jaunty, and as all of its subjects are wreathed in myth, often of their own creation, he takes great pleasure in laying out and sifting the conflicting evidence on the page.”
---Observer (UK)
“If you appreciate a wealth of facts delivered in a straightforward, readable style . . . then Louvish’s book will delight you.”
---Scotland on Sunday
Praise for Stan and Ollie
“Lovingly researched.”
---Daily News
“Louvish is at his best in discussing how Laurel and Hardy, unlike most of the great silent-film comedians, had no trouble making the transition to sound.”
---The New York Times
“Louvish’s wide-eyed love for his subjects’ simple, forthright, and hardworking desire to please will bring down the house.”
---Kirkus Reviews (starred)
“Thanks to a lively, affectionate writer, we can glimpse the great clowns at work.”
---Dallas Morning News
“Brims with affection and still preserves an honest, unbiased view of their creativity and personal traumas.”
---Publishers Weekly
“This definitive treatment is recommended.”
---Library Journal (starred)
Although at least four full-length biographies have been written about Mae West since her death at 87 in 1980, Louvish (Man on the Flying Trapeze) is the first biographer to have access to the recently opened archive of West memorabilia including a 2,000-page collection of quips and jokes and the numerous revisions of the 12 plays, eight screenplays and three novels she wrote. West created and perfected her languid sex goddess persona during years in vaudeville and by serving as her own playwright, but Louvish discovers West''s secret life was filled not with lovers but long nights of polishing and refining her scripts. She was almost 40 when she made her first film, but two years later, she was the highest paid performer in the U.S. Louvish''s bio is appreciative and extensively detailed, focusing on West as writer. It can sometimes feel plodding as he transcribes skits and routines (although most still sparkle seven decades later, like "I used to be Snow White, but I drifted"). Summing up West''s final three decades in a mere 50 pages feels rushed. But Louvish''s research cements West''s reputation as the definitive siren of suggestion, without whom there would never have been any Sex & the City . Photos.(Nov. 21)
See all Editorial Reviews
Product Details
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