From Publishers Weekly
The Great Sphinx of Giza, "part lion, part pharaoh, part god," is slowly dying. Large chunks of limestone crack off each day, the soft middle portion of its body is vulnerable and, eventually, the head will become unstable. Though Egyptologists try to restore and preserve the great monument, much of their work does more harm than good. In the disturbing words of one archeologist: "You study it, you kill it." That comment best captures the paradox at the heart of Stille's splendid book: scholars work feverishly to study and preserve precious monuments, rare species and ancient manuscripts, relying on ever more advanced forms of technology in their efforts, while the accelerating rate of technological change industrialization, population growth and pollution threatens to destroy these treasures. Hence, a cycle of preservation and destruction perpetuates itself. Stille (Excellent Cadavers: The Mafia and the Death of the First Italian Republic), a lovely storyteller, brings to life the passionate and forceful personalities of preservationists, dedicated scholars, bald opportunists, looters and other key players in the world of conservation and preservation. He examines the dying traditions of canoe making and oral poetry on an island off the coast of Papua New Guinea; the tombaroli (tomb robbers) of Sicily who have helped to make illicit antiquities the third most valued item in the world's black markets; devastating levels of pollution in the beloved and holy Ganges river; and one man's ultimately scandalous attempt to modernize the 550-year-old Vatican library. A frequent contributor to the New Yorker (where parts of this book were previously published), Stille consistently offers a powerful narrative, rich with anecdote, detailed description and lively dialogue. This is a must read for anyone interested in the preservation of our world's decaying treasures.
Copyright 2002 Cahners Business Information, Inc.
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From Scientific American
It is a paradox, historian Stille says, that human society forgets its past while steadily gaining technology that would help to study and preserve it. His absorbing book seeks to show the double-edged nature of technological change in a series of different contexts and from a number of odd angles. His explorations include the Sphinx, the looting of Roman artifacts, the Vatican library and the museum of obsolete technology--the U.S. National Archive, where technicians try to tease information out of modern media that have long vanished from circulation.
Editors of Scientific American
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