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15 of 18 people found the following review helpful:
5.0 out of 5 stars
WIN BEAR IS BACK AT LAST!!!!, December 3, 2001
A new North American Confederacy novel at last. After a hiatus following THE GALLATIN DIVERGENCE, L. Neil Smith has finally returned to his most popular creation, the alternate world first visited over twenty years ago in his classic novel THE PROBABILITY BROACH. As fate would have it, THE AMERICAN ZONE deals specifically with how a truly free society would handle a spate of terrorist attacks. In the wake on 9-11, the issues LNS deals with are incredibly relevant for Americans today. All our favorite characters return, including Lucy Kropotkin and Will Sanders, plus numerous figures from our own world (or similiar realities) appear under different names. Half the fun is realizing which real-world public figure LNS is skewering under another name. As always, there's plenty of action, lots of laughs, and a fine mystery along with the libertarian philosophy. If you can stand to take your freedoms straight, with no chaser, this is the novel for you! Read and enjoy.
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6 of 6 people found the following review helpful:
2.0 out of 5 stars
A Smith fan says -- Buy any other work of his first ..., March 2, 2003
If you want to enjoy Smith's work, please buy ANY other book of his before this one. Especially the new edition of "The Probability Broach," the essays in "Lever Action," or his richly told "Forge of the Elders" saga.~ Two massive terrorist acts have the detective protagonist, Win Bear, and his circle showing very little emotional reaction to them, beyond initial revulsion and bone-weariness. This rings false. Thousands have died instantly, and in a culture that is wholly unaccustomed to it. Win's lack of feeling undercuts one basic point Smith has made: that such mutual support flourishes, rather than wilts, in an individualistic and non-political culture. ~ The "stranger in a strange land" focus is weakened by a lack of vivid hints of the statist America(s) from which those in the "Zone" have escaped. Smith's stellar "Pallas" is clearly set in an alternate universe where that fact is never brought up, and his "Broach" makes this escape into one of high contrast -- and both novels are far stronger in that respect. This one is in a mushy middle ground. ~ Too many allusions are made to current American pop culture. These wrench us back too quickly to a dreary this-world present -- and we don't see how they're transmitted, nor from which alternate America. ~ The statist villains here are caricatures, introduced too quickly and pulled off stage too abruptly. Compare this to the luxurious portrait of John Jay Madison in "Broach," where you want to know him better, even while you mentally hiss him as in an old-time melodrama. ~ Names are too often tortured concoctions and are pulled too closely from "real" figures, without the intended satiric effect. "Bennett Williams" is made into a simpleton of an ideologue. William Bennett is not like this, despite his massive faults, and the point is lost. ~ Details of gunsmithery get in the way. In "Broach," they furthered the story without bogging down in a collector's zest for minutiae. Here, they end up diluting the vital point about weapons of self-defense adding to human dignity. ~ The main characters are undercut by our knowing that they show up in a half-dozen Confederacy novels set after this one. It's like knowing Anakin Skywalker is never in mortal danger in "Star Wars" II, when we realize he already was in IV through VI. (This is more distracting, though, for long-time Smith fans.) ~ The copyeditor and proofreader were out to lunch on this one. Misspellings, mispunctuation, shifts of tense, and over-repeated character backgrounds are constant and distracting. Neither author nor reader deserves to have this highly flawed book discourage newcomers from sampling Neil Smith's talent and enjoying his utter passion for human liberty.
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6 of 7 people found the following review helpful:
3.0 out of 5 stars
This is not The Probability Broach, November 20, 2002
The Probability Broach (1980) tells the story of Win Bear, a detective from Denver, who falls through a hole between universes, meets another version of himself and other interesting people, and saves the day for the good guys. It is very reminiscent of Beyond This Horizon, and other Heinlein stories, in both tone and politics, and the plot came right out of H. Beam Piper. Naturally I loved it and immediately bought every other Smith novel that I could find.
The American Zone (2001) continues this story with Win settled in the house and business of his intercontinual doppleganger. He has married Clarissa MacDougall Olson, a woman straight out of the Lensman series and the sweetheart every red-blooded American male yearns to marry, and his only problem seems to be keeping his weight down.
The novel starts with a bang, literally, as Greater LaPorte celebrates Independence Day. Win is watching the fireworks when a couple of potential clients show up to engage his services. Someone is smuggling videos across the universes that star their dopplegangers or have other actors in their roles. Since they are the local equivalents of Clark Gable and Carole Lombard, this intercontinua competition is cutting into their royalties.
As Gable and Lombard are leaving, the sound and pressure wave of a huge explosion pass through. Someone has blown up the Old Endicott Building. And this is just the first in a series of manmade diasters. Who is using terrorist tactics against the North American Confederacy?
At this point the explanations begin. Unfortunately, these backgrounders mostly involve talking heads and some extravagant claims are made for the libertarian philosophy. This pontification got in the way of the story over and over again. While enjoying political discussions and intrigued with the possibilities of libertarianism, I would rather be shown the ideas than be told.
Heinlein did a much better job of weaving the ideology into the action. Even in Starship Troopers, which I consider his most political novel, he presented the philosophy as part of the daily life of the protaganist. Smith tries this approach, but the philosophy overwhelms the plot.
The plot, however, is very weak. Win and his friends reckon that the only people who would gain from these terrorist acts are the political fringe groups avocating more government and successively visit the authoritarians (and their monarchist offshoots), the majoritarians, and the fascists. Meanwhile, Win keeps following leads to the video smugglers. And somebody keeps trying to kill him.
After bumbling around, Win falls into the answers to both his case and the terrorist problems. We are treated to a few interesting treatises on guns, knives and technology throughout the story and meet a number of interesting and disgusting characters along the way. Nevertheless, the ending is just not as satisfying as I would expect.
The book title refers to the section of town settled by intercontinua immigrants who have not yet adapted to their new universe. The Hanging Judge is a restaurant in the middle of the American Zone where most of the political discussions and confrontations occur. The most effective presentations of the libertarian ideology in this book are shown by contrasting the actions and words of different immigrants. Some just want their governmental mommies and others want to be free of government controls.
Other reviewers keep referring to 9/11 as if such terrorist actions invalidate libertarian ideas. Smith's North American Confederacy is a form of limited anarchy and anarchy does not invite terrorist acts; the power is too distributed. It is vulnerable, however, to those who want to establish a government to exploit the people. Cecil Rhodes, Lenin and Hitler come to mind.
If you did not already know, this novel will show you why Smith is a favorite of the libertarian set. Unfortunately, the political diatribes get in the way of the story. While it may have been long awaited, this sequel of The Probability Broach is not as entertaining as the original.
Libertarians will buy this book to wallow in their philosophy. Readers of other political persuasions are more likely to bypass it. Overall, I think Smith has a bad case of preaching to the choir; he would be more successful as a political propagandist -- as well as a novelist -- if he provided more entertainment and less philosophy.
I am quite disappointed. However, the inside jokes -- e.g., Clarissa, Will Sanders -- and public jokes -- e.g., Buckley and Bennett Williams -- are funny.
-Arthur W. Jordin
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