Amazon.com Review
Requiem for the Sun is the standalone sequel to the
USA Today-bestselling Rhapsody trilogy (
Rhapsody ,
Prophecy , and
Destiny ). This novel will please fans of Elizabeth Haydon's high-fantasy series, but it may confuse newcomers because numerous characters from the trilogy return, and most are introduced in the book's early pages.
In the peace following the events of the trilogy, the singer Rhapsody believes she and her husband, the part-dragon Lord Cymrian, can at last start a family. Meanwhile, the assassin-king Achmed seeks to rebuild Canrif, his mountain capital. Then Lord Cymrian rejects Rhapsody's heart's desire; the giant Sergeant-Major Grunthor hears the earth itself screaming; the Dowager Empress of Sorbold, a realm of deep magic, dies under suspicious circumstances; and a powerful unknown enemy, as ancient and youthful as Rhapsody, seeks stealthily to steal her for himself. --Cynthia Ward
From Publishers Weekly
There's something utterly refreshing about a fantasy hero and heroine, half-human masters of the elements and rulers of a continent, whose private names for each other are Sam and Emily. With bright and tender touches like these, Haydon breathes new life into fantasy cliches in this sequel to her bestselling Rhapsody trilogy. The fierce, compassionate and exquisitely gorgeous Rhapsody and her draconian husband, Ashe along with their longtime companions, Achmed, King of the Firbolg, and the ferocious but kindhearted Sergeant-Major Grunthor once more take on an evil F'dor demon and its human host, a man Rhapsody believed long dead. The author has smoothed out many of the rough edges evident in Rhapsody (1999), Prophecy (2000) and Destiny (2001), toning down the most overt references to the series' roots in Welsh mythology and Regency bodice-rippers. At the same time, the stated history and dropped hints, as well as style and tone, remain consistent with earlier volumes. Unfortunately, the characters change little or not at all throughout the course of the story, but the rich complexities of historical subtext, unsubtle scheming of religious and political leaders and classical romantic elements are enough to keep the pages turning. Although quite readable as a stand-alone work, the many loose threads left untied promise numerous future volumes, which are certain to be devoured by Haydon's growing legions of fans.
Copyright 2002 Reed Business Information, Inc.
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