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Editorial Reviews
From Publishers Weekly
At the start of Rhoades's well-crafted second novel to feature Jack Keller (after 2005's The Devil's Right Hand), the North Carolina bounty hunter and his new girlfriend, sheriff's deputy Marie Jones, discover that the two suspects for whom each has been searching—a troubled young woman who skipped bail on an assault charge and the likely perpetrator of the brutal murder of a gas station owner—have taken the gas station owner's teenage son and in short order pulled off senseless mass murders at a local church and factory. When the media-savvy killers contact an amoral local news personality, guaranteeing her exclusive access in exchange for the chance to tell their tale, the situation escalates and the lives of all are put in danger. Fast-paced and rich in regional color, this satisfying thriller is notable for its empathetic portrayal of the two emotionally damaged protagonists, each struggling with past trauma—his sustained in the first Gulf War, hers resulting from the killing of her partner—in order to form a trusting relationship.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
From Booklist
Rhoades follows up his scorching debut, The Devil's Right Hand (2005), with another high-voltage thriller starring bounty hunter Jack Keller. This time Keller, his Gulf War nightmares on simmer, thinks he's ready to take a stab at a committed relationship with North Carolina state cop Marie Jones, but that's before he starts tailing a bail jumper turned serial killer and her equally deranged partner in crime. As before, this one is all about the chase, but Rhoades lets us follow the action from the points of view of both hunters and hunted. Unlike Elmore Leonard and Carl Hiaasen, who humanize their bad guys by giving them senses of humor, Rhoades portrays unrepentant, psychotic killers but manages to make us feel, almost against our will, the human hearts that beat within their violent souls. Keller's own violent soul remains in turmoil, loving the hunt even as it threatens his new-found stability. Drawing from a half-dozen thriller formulas used by such masters as Lee Child and Stephen Hunter, Rhoades shuffles the deck skillfully and deals an altogether new hand. Bill Ott
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
At the start of Rhoades's well-crafted second novel to feature Jack Keller (after 2005's The Devil's Right Hand), the North Carolina bounty hunter and his new girlfriend, sheriff's deputy Marie Jones, discover that the two suspects for whom each has been searching—a troubled young woman who skipped bail on an assault charge and the likely perpetrator of the brutal murder of a gas station owner—have taken the gas station owner's teenage son and in short order pulled off senseless mass murders at a local church and factory. When the media-savvy killers contact an amoral local news personality, guaranteeing her exclusive access in exchange for the chance to tell their tale, the situation escalates and the lives of all are put in danger. Fast-paced and rich in regional color, this satisfying thriller is notable for its empathetic portrayal of the two emotionally damaged protagonists, each struggling with past trauma—his sustained in the first Gulf War, hers resulting from the killing of her partner—in order to form a trusting relationship.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
From Booklist
Rhoades follows up his scorching debut, The Devil's Right Hand (2005), with another high-voltage thriller starring bounty hunter Jack Keller. This time Keller, his Gulf War nightmares on simmer, thinks he's ready to take a stab at a committed relationship with North Carolina state cop Marie Jones, but that's before he starts tailing a bail jumper turned serial killer and her equally deranged partner in crime. As before, this one is all about the chase, but Rhoades lets us follow the action from the points of view of both hunters and hunted. Unlike Elmore Leonard and Carl Hiaasen, who humanize their bad guys by giving them senses of humor, Rhoades portrays unrepentant, psychotic killers but manages to make us feel, almost against our will, the human hearts that beat within their violent souls. Keller's own violent soul remains in turmoil, loving the hunt even as it threatens his new-found stability. Drawing from a half-dozen thriller formulas used by such masters as Lee Child and Stephen Hunter, Rhoades shuffles the deck skillfully and deals an altogether new hand. Bill Ott
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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