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Colour Scheme (Roderick Alleyn Mysteries) by Ngaio Marsh  (4)
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Death In A White Tie (Roderick Alleyn Mysteries) by Ngaio Marsh  (4)
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Night at the Vulcan (Roderick Alleyn Mysteries) by Ngaio Marsh  (4)
$5.99
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Died in the Wool (Roderick Alleyn Mysteries) by Ngaio Marsh (3)
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Death at the Bar (Roderick Alleyn Mysteries) by Ngaio Marsh (3)
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Editorial Reviews
From AudioFile
A group of swindlers creates a contrived occult sect to smuggle and sell drugs. But they didn't count on Scotland Yard Inspector Roderick Alleyn and his perceptive wife, Agatha Troy, who just happen to have a distant cousin in the sect. Nadia May brings all her storytelling expertise to the complicated plot, managing to keep the numerous characters distinct and identifiable. She ably imparts a suitable accent to the French characters and also conveys a credible portrayal of an Egyptian. May possesses a rare ability to narrate children's voices, giving them a youthful pitch and undeveloped enunciation without the squeakiness so often heard from adult readers of children's parts. R.P.L. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.
Review
See all Editorial Reviews
A group of swindlers creates a contrived occult sect to smuggle and sell drugs. But they didn't count on Scotland Yard Inspector Roderick Alleyn and his perceptive wife, Agatha Troy, who just happen to have a distant cousin in the sect. Nadia May brings all her storytelling expertise to the complicated plot, managing to keep the numerous characters distinct and identifiable. She ably imparts a suitable accent to the French characters and also conveys a credible portrayal of an Egyptian. May possesses a rare ability to narrate children's voices, giving them a youthful pitch and undeveloped enunciation without the squeakiness so often heard from adult readers of children's parts. R.P.L. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.
Review
"It's time to start comparing Christie to Marsh instead of the other way around." --New York magazine
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