Red Earth and Pouring Rain: A Novel (Paperback)

~ (Author) "THE CONTRACT WAS DRAWN on fine golden paper, smooth to the touch, in both Sanskrit and English..." (more)
Key Phrases: snow beast, peepul tree, Ram Mohan, William James, Gul Jahaan (more...)

Editorial Reviews

From Publishers Weekly

Setting 18th- and 19th-century Mogul India against the open highways of contemporary America and fusing Indian myth, Hindu gods, magic and mundane reality, this intricate first novel is a magnificent epic that welds the exfoliating storytelling style of A Thousand and One Nights to modernist fictional technique. Abhay, an Indian college student studying in the U.S. but home on vacation in Bombay, shoots a scavenging monkey; the dying creature reveals itself to be the reincarnation of Sanjay Parasher, a fiery, iconoclastic 19th-century poet and freedom-fighter against British rule. To remain alive, the monkey strikes a deal with the gods: he must keep Abhay's family entertained each day by telling stories of his former lives. Around this fanciful premise, Indian novelist Chandra has built a powerful, moving saga that explores colonialism, death and suffering, ephemeral pleasure and the search for the meaning of life. Through the monkey's tales, we learn of Sanjay's lethal estrangement from his best friend, Sikander, an Anglo-Indian warrior who serves the British; of the suicide of Sikander's mother, Janvi, who throws herself on a funeral pyre after her English husband gives away their daughters to missionaries; of Sanjay's avenging showdown in London with Dr. Paul Sarthey, renowned orientalist and murderous imperialist. Abhay also narrates his own sprawling tale about his drive across the U.S. with two alienated fellow students, providing a dramatic contrast between America's throwaway pop culture and India's ancient, venerated ways, bound up with the concepts of dharma (right conduct), karma and reincarnation. This is an astonishing and brilliant debut.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In this debut, an example of magical realism with an Asian American twist, a monkey shot by a young man in Bombay turns out to be the latest reincarnation of a 17th-century poet and adventurer. The gods promise to spare the monkey's life if he tells a story, and his stirring tale of warriors and poets blends with the young man's account of three college students making their way across America.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 560 pages
• Publisher: Back Bay Books (March 1, 1997)
• Language: English
• ISBN-10: 0316132934
• ISBN-13: 978-0316132930
• Product Dimensions: 8.3 x 5.6 x 1.3 inches
• Shipping Weight: 1.3 pounds (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (45 customer reviews)
• Amazon.com Sales Rank: #74,121 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

15 of 16 people found the following review helpful:

3.0 out of 5 stars I ought to have enjoyed it more than I did, December 4, 2001

By	G. ADAIR - See all my reviews (REAL NAME)

You won't read a bad review of this book anywhere. Many will claim it is a work of greatness, other will use the word 'genius'. Most will tell you that the charm of the book comes from the characterisation, the vivid images of India (and Indian culture) and the warmth of the narrative.

All true.

I have only one gripe: I'm not the fastest reader in the world, and as such I tended to read this book in small chunks, day to day. The trouble is that this book is composed of un uncountable number of seemingly unconnected stories, sometimes nested one inside another. No sooner have you met one character and situation than the author introduces another. And another. And another.
By half way through the book I was persistently looking back through the pages to remember who characters were and their significance to the story. Some characters also seemed to change names part-way through the book, which didn't help.

Another upshot of this writing style is that by half way through the book the reader (ie. me) hasn't yet come to grips with the overall plot, or direction, that the novel is taking. Any other book you read, you get yourself immersed in the story and by halfway you're starting to guess how things might work out. With this book you spend the first 300 pages digesting dozens and dozens of seemingly unconnected episodes involving disparite characters, and you never really get into the 'flow', making it difficult to care about what's going to happen next. I had to really force myself to carry on at one point.

By the time you've reached the last third of the book these 'episodes' are beginning to merge into a single narrative, which helps enormously.

Overall impression then? Oddly disjointed, sometimes frustratingly episodic (in the first half), but in the end a rich and satisying read.

7 of 7 people found the following review helpful:

5.0 out of 5 stars GREAT BOOK!!, March 7, 1999

By A Customer

What's not to like? An historical warrior romance and a road trip with reincarnation and a sentient beastie holding the great god death at bay!! A big windswept novel to curl up in with lots of little paths and byways to meander into. I liked the slipping between "cultures" and historic times. I found a strength there not present in straight forward narratives. Maybe it's generational thing, the channel surfers versus those who watch TV programs from start to end, but to my mind this novel had more "reality" in it due to the switching from one voice to a different one. I found the sense of tropics was as strong and alive and present as the slightly dislocated U.S. highway. Hey, the jet is a time machine and modern life happens in lots of realities simultaneously.

26 of 33 people found the following review helpful:

5.0 out of 5 stars On Being Enchanted, February 24, 2002

By	Kirby Metcalfe (Fort Worth, Texas) - See all my reviews

I am your basic omnivorous reader. I delight in stories of almost any kind (certain genres excluded) that are well-told. I make my living in the creative arts and so honor imagination wherever I find it.

Two weeks ago, while at the library, I searched the fiction shelves looking for treasure. As usual, I started at the top of the alphabetical arrangement of authors methodically pulling out titles and reading flyleaves. (I hope this technique will afford me a chance to read all of the great works of fiction. So far I haven't managed to get past the "C's" and I've been doing this for over 15 years.)

Chandra's book seemed to leap into my hands. I felt as if I should hug it or cradle it or in some other way protect it lest some other reader's psychic need draw it from my grasp into theirs. Without even reading the flyleaf I was certain I had found a book of serious magic.

As I will, I found two other books as safeguards against the possibility that I wouldn't enjoy Red Earth and Pouring Rain. I could have saved the effort.

For two weeks now I have devoured the book. I read excerpts to everyone I can tie down. I laugh out load if not at some humorous segment then simply in outright delight. I cry as I identify with the sorrows Chandra so perfectly portrays.

This is a steller work. Vikram Chandra has here worked a piece of art in mixed media. It is both realism and abstraction. It is infinitesimally jewel-like and thunderously monumental.

I am a 62 year old male. I have been feeling my age of late. September 11th sorrowed me for my country and my feelings for all humanity. Two things have restored my hope: the 2002 Winter Olympics and Vikram Chandra's wonderful gift.