Nature's Chaos (Paperback)

by Eliot Porter (Author), James Gleick (Author)
Key Phrases: Great Smoky Mountains National Park, Great Spruce Head Island, Costa Rica (more...)

Editorial Reviews

From Library Journal
This collaboration by the eminent nature photographer and the recent author of Chaos: Making a New Science ( LJ 8/87) uses the photographer's observation of the "random chaos of the natural world--a world of endless variety where nothing was ever the same" to elucidate the new science. While reflections on the disorder of nature are eloquently articulated by both Gleick and Porter, the main offering is the selection of over 100 photographs, most previously unpublished, culled from a lifetime of work. Details and fragments are intermixed with landscapes, exploring the tension between order and chaos. Here are icicles, lichens, mosses, rocks, leaves, lava flows, clouds, cinders, even crab scratchings and flamingos, from far flung places such as Kenya, Uganda, Tan zania, Maine, Michigan, the Galapagos, Iceland, Antarctica, and Asia. What is revealed in this new book is more than the science of chaos--it is the wonder of this photographer's eye and artistry.
- Ann Copeland, Champaign, Ill.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Description
The essence of the earth's beauty lies in chaos, in the disorder of grasses strewn in a meadow, the blotching of green lichen on a tree trunk. Eliot Porter's photographs of the natural world, spanning thirty-five years and five continents-from an Antarctic ice floe to an American desert to an Icelandic lava field-reveal in mesmerizing ways what scientists are beginning to see for themselves: the patterns, relations, and inter-actions present in nature's disorder and wildness. This is the perfect marriage of image and text-brilliant full-color photographs by the preeminent nature photographer of his generation together with an illuminating essay by the widely praised author of Chaos.

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Product Details

• Paperback: 128 pages
• Publisher: Little, Brown; Reprint edition (October 31, 2001)
• Language: English
• ISBN-10: 0316609420
• ISBN-13: 978-0316609425
• Product Dimensions: 7.8 x 5.4 x 0.3 inches
• Shipping Weight: 7.5 ounces
• Average Customer Review: 4.3 out of 5 stars See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #542,261 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

19 of 19 people found the following review helpful:

3.0 out of 5 stars Great content, poor printing, October 30, 2001

By	Danny Burk "foto28" (Mishawaka, IN United States) - See all my reviews

I received my copy of the new (2001) printing of NATURE'S CHAOS earlier today. While the Porter photographs are both unusual and beautiful, it's great pity that this edition is poorly printed. I've not seen the original edition for comparison. In this printing, color is poorly balanced for many photographs, often to the point that the original vision is obscured. Plus, some photos are very "soft" and lacking in detail, which is surely the fault of the printers as well. What a shame, and what a surprise coming from Little, Brown.

28 of 33 people found the following review helpful:

5.0 out of 5 stars A beautiful work that captures the natural essence of chaos, June 3, 1998

By	jason ramsay ([e-mail]) (Canada) - See all my reviews

This review is from: Nature's Chaos (Hardcover)

As a graduate student, there is little time or mental space for pursuits beyond the academe-especially one that does not operate in the verbal realm. At nights, on weekends, and in reveries induced by deoxygenated library atmospheres I am a photographer. An early inspiration for me was Eliot Porter. Very early on I became enthralled by the careful studies of trees and fields. I was drawn to the intense, microscopic details in his works, which could not be characterized as minute in any regard. I was amazed at how, by capturing a dizzying array of detail in his work, he could portray the raw, intricate, complex beauty of something I had stared upon, vacuously, every day. Later, when I first became interested in chaos theory, dynamic systems and complexity, I enjoyed a new appreciation of Porter's craft. I found that in the visual sense I was always looking to portray the orderly chaos, or the chaotic beauty of nature. Once, whilst in the office of a professor that I am writing book with (about cognition-emotion interaction as a self-organizing system) I came across the book "Nature's Chaos" by Porter. I immediately recognized the photography and picked the book up from the shelf. To my amazement, Gleick, whose book "Chaos" started a revolution of sorts in the biological science community, was a co-author. I was enraptured. I borrowed it. I tried to buy it from my colleague. I wandered through used book stores on my way to the campus. I made inquiries at the publisher.

Nihil.

So I ordered it through Amazon.com. It arrived, ahead of schedule. I justified the price to myself because I had won a small award for a photograph that was inspired by Porter.

The book is astounding. The text is lyrical and erudite, it flows and meshes with the startling images. I can't say much more-but if you are a photographer, or chaos buff, or god-help you both, then this is a requisite volume. Don't hesitate. Ta panta re!

Jason Ramsay

8 of 9 people found the following review helpful:

5.0 out of 5 stars Beautiful and Profound, August 25, 2002

By	Jud Newborn "Author, Lecturer, Anthropologist" (NY USA) - See all my reviews (REAL NAME)

This review is from: Nature's Chaos (Hardcover)

If a tree falls in the woods and no one is there to listen...does it make a sound? Is there any sense, order or meaning to the universe beyond our human projections?

These photographs of Eliot Porter--selected to provide an illustration and counterpoint to James Gleick's eloquent text--are among the most rapturously beautiful ever produced. They are the visual equivalent of poet Wallace Stevens' attempt to grasp that which lies beyond the limits of sentience. Looking through the original hardcover edition is both an act of meditation and of homage--to the greatness of creation, in all its mystery, as well as to the human need to think, feel, and reach for meaning. As I journey through these images, I ask myself, do we look out upon the universe from afar--or do we do so from within, as integral parts of the greater mystery? Let go...allow Gleick's text to pose the question--and Porter's photographs to frame the answer.