Desert Solitaire (Mass Market Paperback)

by Edward Abbey (Author) "THIS IS the most beautiful place on earth..." (more)
Key Phrases: Park Service, Grand Canyon, Glen Canyon (more...)

Editorial Reviews

Amazon.com Review
With language as colorful as a Canyonlands sunset and a perspective as pointed as a prickly pear, Cactus Ed captures the heat, mystery, and surprising bounty of desert life. Desert Solitaire is a meditation on the stark landscapes of the red-rock West, a passionate vote for wilderness, and a howling lament for the commercialization of the American outback.

Review
The New York Times Book Review Like a ride on a bucking bronco...rough, tough, combative. The author is a rebel and an eloquent loner. His is a passionately felt, deeply poetic book...set down in a lean, racing prose, in a close-knit style of power and beauty. -- Review --This text refers to the Paperback edition.

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Product Details

• Mass Market Paperback: 352 pages
• Publisher: Ballantine Books; Later printing edition (January 12, 1985)
• Language: English
• ISBN-10: 0345326490
• ISBN-13: 978-0345326492
• Product Dimensions: 6.8 x 4.1 x 0.7 inches
• Shipping Weight: 4.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars See all reviews (130 customer reviews)
• Amazon.com Sales Rank: #197,335 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

42 of 43 people found the following review helpful:

5.0 out of 5 stars A genuine and enduring classic about the American Desert, November 15, 2002

By	Robert Moore (Chicago, IL USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

Edward Abbey's DESERT SOLITAIRE belongs on the shortest of several short lists of 20th century classics, whether we are talking of classic literature of the American West, nature writing, or environmentalism.

Why is this such a brilliant book? It isn't the originality of ideas. Other writers-Aldo Leopold, Wallace Stegner, Bernard DeVoto, Mary Austin-had already articulated many of Abbey's central ideas either about nature or about Western policy. Bernard DeVoto was an innovator; Abbey is not. Nor is Abbey's anger and fury at exploiters and defilers unique: DeVoto was just as irate and just as incapable of pulling his punches. Nor is it Abbey's overall vision that makes his book so compelling. Again, both DeVoto and Stegner-and especially DeVoto-evidenced a broader and more systematic understanding of the broader issues confronting the West. None of this is accidental. DeVoto exerted a major influence on Stegner, and Stegner taught Abbey in the Stanford University Creative Writing Program.

What makes DESERT SOLITAIRE so marvelous is the almost tactile love and passion Abbey displays for the Desert Southwest. Over and over Abbey summons up specific places, particular mountains, individual landscapes. Although he can write about the desert in general, he more frequently writes about particular spots in Arches National Park and the surrounding environs that help explain his attachment to the West. He is the literary equivalent, in his more somber, reflective moments, of Eliot Porter and Ansel Adams. As a result, what one recalls upon remembering DESERT SOLITAIRE is not words so much as a collection of images.

Structurally, the book only resembles a memoir of his time working as a park ranger in the Arches National Park. The book makes it seems as if he worked there only one year, when in fact he worked there two. Furthermore, even what appears as a single year fails to account for all the content of the book. He uses, rather, the fiction of a single season as a framework upon which to hang tales, reflections, and rants. This intermixing of narrative with asides gives the book a richness of texture it might not otherwise possess. The narrative of his time as a ranger gives the book much of it structure, but the rants and sidetracking provides it with much of its content.

I hate to write something as trite as this being an absolutely essential book for anyone remotely interested in the subjects it touches upon, but such is the case. Abbey wrote many other nonfiction works and novels. All are interesting, several of them quite good, but DESERT SOLITAIRE is easily his greatest. It truly is a classic.

48 of 52 people found the following review helpful:

4.0 out of 5 stars "I would rather kill a man than a snake.", October 3, 2001

By	Wyote (Seoul) - See all my reviews (TOP 1000 REVIEWER)

"I would rather kill a man than a snake," wrote Edward Abbey, and I suspect he even meant it. That sentence summed up, for me, this book: it is filled with Abbey's love of the wild desert and its inhabitants and his contempt for modernity and its inhabitants. I think Abbey was one of the early voices in modern environmentalism, and this is a classic book in that field. I appreciate his desert and his writing; even if you are not an environmentalist nor a lover of the desert, you may see why people are if you read this. At any rate, his deep naturalist reflections deserve consideration in our fast-food, internet, climate-controlled, sanitized and artificial age.

22 of 22 people found the following review helpful:

3.0 out of 5 stars I try to imagine a ride along the river..., June 28, 2006

By	J. Carroll "Jack" (Island Heights,NJ) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Edward Abbey is a contradiction. A poet when describing the wonders of the desert and the joys of solitude; then he becomes a strident critic of his fellow man if they have the audacity to disagree with him. There is a definite will and intelligence driving the prose, but it is partially spoiled by the rants that Abbey goes on. The book has a split personality; celebrating the wilderness, but using a voice that often becomes so disagreeable that you might want to take asphalt to the park yourself. Finally though the poet wins out and you go along for the ride. I try to think of this book as rafting down the river, enjoying the wonders and trying to avoid the jagged rocks. A little white water is fine; just don't hold me underwater for hours at a time.