The Six Wives of Henry VIII by Alison Weir  (132)
$11.53
|
The Children of Henry VIII by Alison Weir  (64)
$10.88
|
The Life of Elizabeth I by Alison Weir  (126)
$11.56
|
The Wars of the Roses by Alison Weir (45)
$10.88
|
Innocent Traitor: A Novel of Lady Jane Grey by Alison Weir (78)
$10.17
|
This item is not eligible for Amazon Prime, but millions of other items are. Join Amazon Prime today. Already a member? Sign in.
Henry VIII: The King and His Court
and over 140,000 other books are available for Amazon Kindle – Amazon’s new wireless reading device. Learn more
|
||||||||||||||||
Customers Who Bought This Item Also Bought
Editorial Reviews
Amazon.com
Contemporary observers described the young king in glowing terms. At over six feet tall, with rich auburn hair, clear skin, and a slender waist, he was, to many, "the handsomest prince ever seen." From this starting point in Henry VIII, the King and His Court, biographer extraordinare Alison Weir reveals a Henry VIII far different from the obese, turkey-leg gnawing, womanizing tyrant who has gone down in history. Henry embodied the Renaissance ideal of a man of many talents--musician, composer, linguist, scholar, sportsman, warrior--indeed, the Dutch humanist Erasmus (not a man inclined to flattery) declared him a "universal genius." In scholarly yet readable style, Weir brings Henry and his court to life in meticulous, but never tedious, detail. Weir describes everything from courtly fashions to political factions and elaborate meals to tournament etiquette. Along the way she offers up charming--if all too brief--glimpses of Henry's court: tiny Princess Mary, still a very young girl, at her betrothal ceremony saying to the proxy, "Are you the Dauphin of France? If you are, I want to kiss you"; Henry weeping with joy as he held his long-awaited son and heir for the first time; Henry showing off his legs to the Venetian ambassador ("Look here! I have also a good calf to my leg"); Henry's courtiers dressing in heavily padded clothes to emulate--and flatter--their increasingly stout monarch. She also reveals some surprises, for example, that Henry and Katherine were still hunting together as late as 1530, even though Henry was desperately trying to have their marriage annulled. Weir also describes surprisingly happier times in their relationship; Henry loved to dress up in costume, and "was especially fond of bursting in upon Queen Katherine and her ladies in the Queen's Chambers.... Henry took a boyish delight in these disguisings and Katherine seemingly never tired of feigning astonishment that it was her husband who had surprised her." Henry's queens receive relatively little attention here (for them, see Weir's excellent Six Wives of Henry VIII), but this book is fascinating and a joy to read. Alison Weir has done it again. --Sunny Delaney
From Publishers Weekly
In a succession of books on medieval and early modern monarchs, Weir has established her credentials as one of the most evocative of popular historians. In Eleanor of Aquitaine (which will be reissued in paperback to tie in with this publication), she brushed aside a forest of scholarly debate in favor of fully rounded human portraits. She now turns to the colossal figure of Henry VIII, aspiring chivalric hero and accidental spearhead of the Reformation. In the age's luxurious ceremony, Weir is thoroughly in her element. She revels in the Field of Cloth of Gold, an elaborate showpiece where Henry met his French counterpart; in the zesty supporting cast; and even in the less appetizing duties of the Groom of the Stool. Henry's passions were many and charming: his beloved dogs Cut and Ball were evidently so prone to getting lost that he would pay some œ225 to their finder. Weir's fondness for her character has its difficulties. While admitting that the king proved to be "an imperious and dangerous autocrat who became mesmerised by his own legend," she too is seduced by the myth. Given to romantic hyperbole, she concludes with the largely unsupported sentiment that Henry "excelled all who ever wore a crown"; chalk up another victory for his propagandists. Other problematic characters, like Thomas More ("calm, kind, witty and wise"), are also let off lightly. Still, Weir's nose for detail, her sharpness of eye and her sympathetic touch make this a feast for the senses. (May 1)Forecast: Weir always gets excellent reviews, and Ballantine says there are 500,000 copies of her books in print, and yet she hasn't broken out big-time. Her choice of subject here may make this the one. It is a dual main selection of BOMC, as well as a selection of the Literary Guild, the History Book Club and QPB.
See all Editorial Reviews
Contemporary observers described the young king in glowing terms. At over six feet tall, with rich auburn hair, clear skin, and a slender waist, he was, to many, "the handsomest prince ever seen." From this starting point in Henry VIII, the King and His Court, biographer extraordinare Alison Weir reveals a Henry VIII far different from the obese, turkey-leg gnawing, womanizing tyrant who has gone down in history. Henry embodied the Renaissance ideal of a man of many talents--musician, composer, linguist, scholar, sportsman, warrior--indeed, the Dutch humanist Erasmus (not a man inclined to flattery) declared him a "universal genius." In scholarly yet readable style, Weir brings Henry and his court to life in meticulous, but never tedious, detail. Weir describes everything from courtly fashions to political factions and elaborate meals to tournament etiquette. Along the way she offers up charming--if all too brief--glimpses of Henry's court: tiny Princess Mary, still a very young girl, at her betrothal ceremony saying to the proxy, "Are you the Dauphin of France? If you are, I want to kiss you"; Henry weeping with joy as he held his long-awaited son and heir for the first time; Henry showing off his legs to the Venetian ambassador ("Look here! I have also a good calf to my leg"); Henry's courtiers dressing in heavily padded clothes to emulate--and flatter--their increasingly stout monarch. She also reveals some surprises, for example, that Henry and Katherine were still hunting together as late as 1530, even though Henry was desperately trying to have their marriage annulled. Weir also describes surprisingly happier times in their relationship; Henry loved to dress up in costume, and "was especially fond of bursting in upon Queen Katherine and her ladies in the Queen's Chambers.... Henry took a boyish delight in these disguisings and Katherine seemingly never tired of feigning astonishment that it was her husband who had surprised her." Henry's queens receive relatively little attention here (for them, see Weir's excellent Six Wives of Henry VIII), but this book is fascinating and a joy to read. Alison Weir has done it again. --Sunny Delaney
From Publishers Weekly
In a succession of books on medieval and early modern monarchs, Weir has established her credentials as one of the most evocative of popular historians. In Eleanor of Aquitaine (which will be reissued in paperback to tie in with this publication), she brushed aside a forest of scholarly debate in favor of fully rounded human portraits. She now turns to the colossal figure of Henry VIII, aspiring chivalric hero and accidental spearhead of the Reformation. In the age's luxurious ceremony, Weir is thoroughly in her element. She revels in the Field of Cloth of Gold, an elaborate showpiece where Henry met his French counterpart; in the zesty supporting cast; and even in the less appetizing duties of the Groom of the Stool. Henry's passions were many and charming: his beloved dogs Cut and Ball were evidently so prone to getting lost that he would pay some œ225 to their finder. Weir's fondness for her character has its difficulties. While admitting that the king proved to be "an imperious and dangerous autocrat who became mesmerised by his own legend," she too is seduced by the myth. Given to romantic hyperbole, she concludes with the largely unsupported sentiment that Henry "excelled all who ever wore a crown"; chalk up another victory for his propagandists. Other problematic characters, like Thomas More ("calm, kind, witty and wise"), are also let off lightly. Still, Weir's nose for detail, her sharpness of eye and her sympathetic touch make this a feast for the senses. (May 1)Forecast: Weir always gets excellent reviews, and Ballantine says there are 500,000 copies of her books in print, and yet she hasn't broken out big-time. Her choice of subject here may make this the one. It is a dual main selection of BOMC, as well as a selection of the Literary Guild, the History Book Club and QPB.
Copyright 2001 Cahners Business Information, Inc.
See all Editorial Reviews
Product Details
|
