Frannie in Pieces by Delia Ephron  (3)
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Editorial Reviews
From Publishers Weekly
The telephone plays an integral part in screenwriter and nonfiction author Ephron's (How to Eat Like a Child) humorous, if somewhat uncomfortable, look at the senility and death of a parent. Narrator Eve Mozell loves to chat on the phone, playing out nearly all of her relationships by talking into a plastic mouthpiece. Now 44 but still in the role of the unremarkable, overcompensating middle daughter, Eve finds the care of her elderly, alcoholic father foisted upon her by her sisters Georgia, an overbearing magazine editor, and Madeline, a dippy soap opera actress. With little support from either her work-absorbed husband, a public radio commentator, or her teenaged son, Eve struggles to understand the Mozell family neuroses. Flashbacks highlight her parents' scotch-soaked divorce, her mother's subsequent abandonment of the family and her father's descent into alcoholism and general obnoxiousness. Appropriately, a telephone relationship with a stranger helps Eve come to terms with the simultaneous love and disgust she feels for her father. All the phone talk makes the narrative dialogue-heavy, and most of Ephron's characters are gratingly self-absorbed. However, Eve's wry humor and gentle tolerance for these eccentrics and the foibles of life leaven the proceedings nicely, rendering this a novel few readers will hang up on.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
In this witty and heartfelt story of modern love (also recently made into a movie), Eve Mozell confronts her bittersweet bond between love of family and love of self. C.J. Critt is a superbly appropriate narrator. Her extensive theatrical background lends polish and clarity to her performance. Even the narrative passages become an exciting part of the storytelling. Of course, this grand storytelling is in no small part due to Delia Ephron's humorously spot-on portrayal of contemporary life as seen through rose-colored Groucho glasses. This audiobook is comedic writing--and performance--at its best. R.A.P. Winner of AUDIOFILE Earphones Award. © AudioFile 2000, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
The telephone plays an integral part in screenwriter and nonfiction author Ephron's (How to Eat Like a Child) humorous, if somewhat uncomfortable, look at the senility and death of a parent. Narrator Eve Mozell loves to chat on the phone, playing out nearly all of her relationships by talking into a plastic mouthpiece. Now 44 but still in the role of the unremarkable, overcompensating middle daughter, Eve finds the care of her elderly, alcoholic father foisted upon her by her sisters Georgia, an overbearing magazine editor, and Madeline, a dippy soap opera actress. With little support from either her work-absorbed husband, a public radio commentator, or her teenaged son, Eve struggles to understand the Mozell family neuroses. Flashbacks highlight her parents' scotch-soaked divorce, her mother's subsequent abandonment of the family and her father's descent into alcoholism and general obnoxiousness. Appropriately, a telephone relationship with a stranger helps Eve come to terms with the simultaneous love and disgust she feels for her father. All the phone talk makes the narrative dialogue-heavy, and most of Ephron's characters are gratingly self-absorbed. However, Eve's wry humor and gentle tolerance for these eccentrics and the foibles of life leaven the proceedings nicely, rendering this a novel few readers will hang up on.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
In this witty and heartfelt story of modern love (also recently made into a movie), Eve Mozell confronts her bittersweet bond between love of family and love of self. C.J. Critt is a superbly appropriate narrator. Her extensive theatrical background lends polish and clarity to her performance. Even the narrative passages become an exciting part of the storytelling. Of course, this grand storytelling is in no small part due to Delia Ephron's humorously spot-on portrayal of contemporary life as seen through rose-colored Groucho glasses. This audiobook is comedic writing--and performance--at its best. R.A.P. Winner of AUDIOFILE Earphones Award. © AudioFile 2000, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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