Market Forces (Paperback)

~ (Author) "Checkout. The shiny black plastic swipes through..." (more)
Key Phrases: cordoned zones, fucking zones, proximity alarm, Mike Bryant, Liz Linshaw, Louise Hewitt (more...)

Editorial Reviews

Amazon.com Review

Richard Morgan, the award-winning author of Altered Carbon and Broken Angels, strikes out into new territory with Market Forces, leaving behind the farflung battlegrounds of Takeshi Kovacs for the not-so-distant future of corporate Earth. Here, Morgan extrapolates a world where commodities trading reaches a brutal pitch and the outcomes of banana republic uprisings are the new market. Now, on the road to success, the brokers of the new economy compete for status and promotions via road rage on the freeways of new London.

Morgan's conflicted protagonist, Chris Faulkner, is a comer known for one spectacular kill that shot him to the top of mid-range global capital firm. He parlays his reputation and skills as a driver into a job in the emerging field of "Conflict Investment" at the world's hottest and hardest firm. Soon he finds himself running with the big dogs and rises to the top of a brutal realm, but his ascent is quickly threatened by vicious senior partners, gold-digging suitors, fame, fair-weather friends, and his own nagging conscience.

Market Forces is at once an anti-globalization treatise and anime fantasy meets The Road Warrior. Morgan employs the graphic-novel imagery of his two previous novels to create a disturbingly brutal picture of slash-and-burn capitalism run amok. There are times when Faulker's moral quandries seem hollow in the face of his actions but this isn't Crime and Punishment. Enjoy the ride and "come back with blood on your wheels or don't come back at all." --Jeremy Pugh

Amazon.com Exclusive Content

A Winning Translation: An Exclusive Essay by Richard Morgan

His novels may paint a bleak picture of the future, but Richard Morgan has a great attitude toward language, and one word in particular. Read his Amazon.com exclusive essay and find out why he'll never consider himself, or anyone else, anything worse than an occasional non-winner.

From Publishers Weekly

Morgan's brutal, provocative third novel (after Altered Carbon and Broken Angels) charts the moral re-education of executive Chris Faulkner, who joins notoriously successful Shorn Associates, which specializes in "conflict investment" - financing totalitarian regimes, as well as guerrilla movements, in developing countries that are never allowed to develop. Taking his theme from such well-known critics of Western capitalism as Noam Chomsky, Susan George and Michael Moore (all listed as sources), the author presents a bleak near-future that includes continuing job loss through NAFTA, the undermining of national economies like that of China and the creation of a permanent underclass. Faulkner and other company hotshots compete in highly dangerous, often fatal car races, which reflect the ruthlessness of their corporate careers. Faulkner's auto-mechanic wife, Carla, strives to humanize him, but he will have to kill a lot of people with his car, guns and, in the penultimate bloodbath, a baseball bat before seeing the error of his ways. While some may be put off by the graphic violence and the heavy-handed polemics, most readers will find Morgan's economic extrapolation convincing and compelling.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product Details

• Paperback: 464 pages
• Publisher: Ballantine Books (March 1, 2005)
• Language: English
• ISBN-10: 0345457749
• ISBN-13: 978-0345457745
• Product Dimensions: 9.1 x 6.1 x 1.1 inches
• Shipping Weight: 15.5 ounces (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars  See all reviews (88 customer reviews)
• Amazon.com Sales Rank: #198,144 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars Persevere! It's worth it., June 28, 2005

By	Benjamin M. Wagner "bigbaldben" (Mechanicsburg, PA USA) - See all my reviews (REAL NAME)

100 pages into this 464 page bug killer I was ready to slam it. This book doesn't even deserve one star, I thought. How did I get from there to matching the highest rating I've given a book thus far? I finished it.

The premise is an eye catcher: corporations rule the world, funding, starting and stopping wars based on economic prospects only, and the way you work your way up in the corporation is by performance and road raging. Yup. It's Mad Max meets Wall Street. When I read the back cover, I laughed out loud, and I knew I had to read it.

The book starts out.... feh. It's crude. Too crude, especially in the graphic soft core sex descriptions, foul language and violence. And if you're too offended by the first few pages, it only gets worse. It's simplistic. The characters are typical and predictable, the movement of the book, in spite of the crudeness, is rather dull. The world the book paints is typical of so many bleak future books. Class disparity, no ethics, ultra violent.

But then, much earlier than the Joseph Heller book, something happened.

Morgan has used the first part of the book to build up the characters, (unfortunately through long drawn out dialogue, though one wonders if the effect would have been as strong without it) to make a basis for the development he's about to write. The protagonist, Chris Faulkner, is a gem of character development. Young and up and coming in the beginning. An idealist thrown in among sharks, yet determined to succeed on his own terms. His wife, his new best friend, his father in law....all very real.

The book suddenly becomes very very good. The interpersonal conflicts become idealistic battles and I found myself choosing sides rather quickly as the story moves on. Faulkner goes from sly kid to someone I found myself cheering for rather loudly at 1 AM beside my sleeping wife (sorry, honey ) and then CONTINUES to develop in ways that I will not, for spoilers sake, explain how I responded to them.

Unfortunately, I have to stop there to not ruin the plot. Every relationship in this book is very real, and very gut twisting. As for the plot, there are sure to be initial guffawing, as there was in my case, at the premise. But the corporate manipulation, some say, is already occuring in foreign governments. Anyone with any sort of experience in business knows the cutthroat nature of the "game." Taking that one step further into the corporate ladder, who's to say all pretenses couldn't be set aside and bloodthirsty kills on the road take the place of backstabbing and gladhanding.

The corporate setting and dealings is also very real, until nearing the end of the book, where it becomes almost surreal, but in a very intriguing way.

Bottomline is this book starts out crude and boring. I was very put off by it. However, the character development and the way Morgan wrote the part of Faulkner was utterly brilliant, and I have not encountered a character I have enjoyed reading in quite some time.

This review is painfully inadequate for how large an impact this book had on me. Get it. Read it. It's a solid piece of work.

40 of 49 people found the following review helpful:

4.0 out of 5 stars A great read despite the eye-rolling anti-capitalism, October 12, 2005

By	M. S. Hillis (Lynnwood, CA) - See all my reviews (REAL NAME)

Before Richard K. Morgan's provocative third novel even begins, he dedicates it to "all those, globally, whose lives have been wrecked or snuffed out by the Great Neoliberal Dream and Slash-and-Brun Globalization". He also makes sure the reader knows he drew inspiration from left-wing extremists like Noam Chomsky, John Pilger and Michael Moore. The reader, upon encountering this, could be forgiven for slipping the book quietly back on the shelf with a slight shake of the head. But that would be a mistake.

Despite the ideological chest-thumping, "Market Forces" is not just a wisp of a story wrapped around a shrill anti-capitalist polemic. It's actually a rollicking good read that doesn't get swamped by the author's ideological crusade, except perhaps near the end. But more on that later.

The setting is deliciously twisted. Fifty years from now, the world is run by a handful of financial houses that deal in "conflict investment" -- giving financial assistance to tinpot dictators in exchange for a cut of the country's GDP if they stay in power. Executives vie for promotion or contract tenders by staging highway duels in armored cars. It's a bizzare mixture -- "Liar's Poker" meets "Mad Max" -- but Morgan deftly pulls it off.

Morgan's first novel proved that he is adept at drawing imperfect characters, and here he serves up a whole cast of scummy anti-heros and scummier villians. Chris Faulkner fought his way up from the slums and is a new hotshot executive. His wife, Carla, is a mechanic who keeps his sedan in prime dueling condition. Her father is an idealistic outcast whose socialist views are a constant source of tension in the family. Along the way, Chris falls in with a media vixen, a chummy but brutal partner, and a team of envious colleagues intent on seeing the newcomer go down in flames, quite literally if it should come to that.

The action ticks over nicely as Chris careens between stoking conflicts in Cambodia and Latin America, terrorizing street thugs with Mike, and grinding rival investors into scrap metal under the bumper of his armored Saab. All the while he is trying to rescue his foundering marriage and avoid the plasticene temptations of Liz, a powerful journalist tracking his career.

While Morgan's conclusions on the nature of the modern geo-political/economic system may be black and white, he lays it out for us through shades of gray. The rapacious corporations are clearly the bad guys, but characters like Mike are strangely charismatic, and it's easy to cheer the suits when they wield their power to wipe out white supremacists or permanently cripple an abusive husband for beating his wife. Likewise, those characters with the "right" socialist viewpoints are quick to espouse their ideals but are too weak or scared to act on them.

Morgan's contention that capitalism is inherently brutal and self-destructive only starts to become obvious in the last part of the book as Chris repeatedly snubs chances for redemption and mires himself deeper in the brutal corporate culture he once held at arm's length. But the book works despite this late-game heavy-handedness, and while I might have wished for a cheerier conclusion, I have to give credit to Morgan for pushing things to what he must see as their logical conclusion, insofar as that logic works in the fantasy version of capitalism and globalization he has constructed.

This *is* a sci-fi book, after all.

14 of 17 people found the following review helpful:

2.0 out of 5 stars Unintentionally hiliarious anti-capitalist screed, November 23, 2005

By	Barry T. Campbell (New York, NY) - See all my reviews (REAL NAME)

Richard Morgan's first novel, Altered Carbon, was absolutely breathtaking, and so I picked up "Market Forces" with great expectations.

They were quickly dashed. Morgan takes one (1) actually pretty interesting idea--cowboy capitalist types use athletic and military metaphors to describe what they're going to do the competition all the time, and what if this were literally true?--and one (1) (to my mind) indisputable fact, that globalization (in its early stages, anyway) tends to involve a measure of exploitation--and grinds out a novel-length "Noam Chomsky meets Mad Max on the way the globalization protest" yawner. Earnest, obvious, boring.

Clearly intended as broad satire, it reads as farce. (In the hypercapitalist world of Morgan's imagining, a "tender offer" has become a duel to the death on the public roadways.) In the hands of the right screenwriter and director, I bet it would make a passable action movie, and that's not a compliment.

I'll keep reading Morgan. He's a very talented writer who ordinarily packs more interesting ideas onto a page than most people working in the realm of speculative fiction ("Altered Carbon," as noted above, was a masterpiece) and anyone who writes this well deserves a second, third and fourth chance.